| Photos (See all 13 | slideshow) |
| Craig Sheffer | ... | Brian Goodman | |
| Terry Farrell | ... | Allison Saunders | |
| Bruce McGill | ... | Sam Dalton | |
| Harry Van Gorkum | ... | Alan Morrisey | |
| Wil Wheaton | ... | Rodney Bedecker | |
| James Russo | ... | Darryl Simmons | |
| Ron Yuan | ... | Chin Li | |
| James Lew | ... | Lou Chang | |
| Kenneth Choi | ... | Wayne Lung (as Ken Choi) | |
| Dean Cameron | ... | Head Engineer | |
| Donald Li | ... | Colonel Sun Po | |
| Catherine Kwong | ... | Phong Li | |
| Joseph Patrick Kelly | ... | M.I.B. #1 | |
| Dean Biasucci | ... | M.I.B. #2 | |
| Gary Hershberger | ... | Henry | |
| Judie Aronson | ... | Lilly | |
| Bert Rosario | ... | Gonzalez | |
| Dane Northcutt | ... | Technician | |
| Melanie J. Elin | ... | Consuella | |
| François Chau | ... | Crewmember | |
| rest of cast listed alphabetically: | |||
| Marc McClure | ... | Mac (uncredited) | |
Directed by | |||
| Rodney McDonald | |||
Writing credits | ||
| Phillip J. Roth | (story) (as Phillip Roth) | |
| Jim Christopher | (screenplay) (as Martin Lazarus) | |
Produced by | |||
| Jeffery Beach | .... | producer | |
| Melanie J. Elin | .... | line producer | |
| James Hollensteiner | .... | executive producer (as Jim Hollensteiner) | |
| Thomas J. Niedermeyer Jr. | .... | executive producer | |
| Ken Olandt | .... | producer (as Kenneth Olandt) | |
| Phillip J. Roth | .... | producer (as Phillip Roth) | |
| Richard Smith | .... | executive producer | |
Original Music by | |||
| Richard McHugh | (as Rich McHugh) | ||
Cinematography by | |||
| Richard Clabaugh | |||
Film Editing by | |||
| Randy Carter | |||
Casting by | |||
| Nannette Troutman | |||
Production Design by | |||
| David Huang | |||
Art Direction by | |||
| Roger Baer | |||
Set Decoration by | |||
| Eden Barr | |||
Costume Design by | |||
| Ulrika Johansson | |||
Makeup Department | |||
| Francie Hart | .... | assistant hair stylist | |
| Francie Hart | .... | assistant makeup artist | |
| Suzi Haydon | .... | key hair stylist | |
| Suzi Haydon | .... | key makeup artist | |
| Meghan Jeffers | .... | additional makeup artist (as Megan C. Jeffers) | |
Production Management | |||
| Claudia Sumner | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Paul Bogh | .... | first assistant director | |
| Kathleen 'Kaz' Butler | .... | second assistant director (as Kathleen 'Kas' Butler) | |
| Courtney King | .... | second second assistant director | |
| Claudia Sumner | .... | second unit director | |
Special Effects by | |||
| Lee McConnell | .... | physical effects coordinator: Acton FX | |
| Robert Miller | .... | special effects costume designer | |
Visual Effects by | |||
| Steven M. Blasini | .... | animator | |
| Steven M. Blasini | .... | sequence supervisor | |
| David Chan | .... | animator (as David L. Chan) | |
| John R. Ellis | .... | animator | |
| D.R. Greenlaw | .... | animator | |
| Andrew Hofman | .... | visual effects director | |
| Steven Kaplan | .... | animator (as Steve Kaplan) | |
| Jerad Kissack | .... | animator (as Jerad L. Kissack) | |
| Dennis Michel | .... | visual effects designer | |
| Dennis Michel | .... | visual effects supervisor | |
| Bradley Mullennix | .... | animator | |
| James Perry | .... | animator | |
| William Rehoreg | .... | animator | |
| David Ridlen | .... | 3D animator | |
| Claudia Sumner | .... | visual effects producer | |
| Alvaro Villagomez | .... | animator | |
Stunts | |||
| Ron Otis | .... | stunt coordinator | |
| Patrick J. Statham | .... | stunts (as Pat Statham) | |
Casting Department | |||
| Karen Martin | .... | casting assistant | |
| Debe Waisman | .... | extras casting | |
Costume and Wardrobe Department | |||
| Yulia Gershenzon | .... | wardrobe supervisor | |
| Pamela Haddad | .... | wardrobe production assistant | |
Editorial Department | |||
| David Block | .... | mastering colorist | |
| Michael R. Hall | .... | assistant editor | |
| David Whitten | .... | color timer | |
Music Department | |||
| Ric Gallaher | .... | composer: additional music | |
Transportation Department | |||
| William Berumen | .... | driver | |
| Al Burton | .... | transportation captain | |
| Roger Byrd | .... | driver | |
| Dennis A. Coleman | .... | driver | |
| Dennis Goble | .... | driver | |
| Gregory S. Hoslet | .... | driver | |
| Ken Kaplan | .... | transportation coordinator | |
| Kenny Kaplan | .... | transportation coordinator | |
| Keith Laursen | .... | driver: water truck | |
| Joseph Lauth | .... | driver | |
| Manuel Martinez | .... | driver | |
| Kelly Murphy | .... | driver | |
| Karl E. Nelson | .... | driver: honeywagon (as Karl Nelson) | |
| Elmer S. Osorio | .... | driver (as Elmer Osorio) | |
Other crew | |||
| H. Leah Amir | .... | set production assistant | |
| Laurie Beale | .... | insurance: Gary Krause Insurance | |
| Valerie Brosset | .... | financial services: Imperial Bank | |
| Jennifer M. Byrne | .... | production coordinator | |
| Jon Clark | .... | office production assistant | |
| Karen M. Cockrell | .... | production accountant (as Karen Cockrell) | |
| Lorraine Conklin | .... | set production assistant | |
| Laurette Dobson | .... | script supervisor (as Tita Dobson) | |
| Frank Donner | .... | account executive (as Frank D. Donner III) | |
| Corinne Fixmer | .... | assistant accountant | |
| Kent Ford | .... | set production assistant | |
| David Holmes | .... | set production assistant | |
| Gary Jackson | .... | key set production assistant | |
| Jeff Jenofsky | .... | set production assistant | |
| Nathaniel Justiniano | .... | UFO intern | |
| Robert Kazlauskas | .... | production assistant | |
| Jon Ko | .... | set medic | |
| Tami Kumin | .... | set production assistant | |
| Sandy Laureno | .... | craft service | |
| Robert Lepucki | .... | location manager (as Bob Lepucki) | |
| Bruce Lomet | .... | account coordinator | |
| Karen Martin | .... | office production assistant | |
| Daniel McCoy | .... | assistant production office coordinator | |
| Ken Meyer | .... | legal services | |
| Amy Murray-Rolon | .... | director of UFO operations (as Amy Murray) | |
| Carol Petters | .... | completion bond: Film Finances (as Carol Peters) | |
| Morgan H. Rector | .... | financial services: Imperial Bank (as Morgan Rector) | |
| T.J. Sakasegawa | .... | director: international distribution | |
| Marion Spiegelman | .... | completion bond: Film Finances (as Marion Speigelman) | |
| Mike Tristano | .... | armory technician | |
| Steve Trombatore | .... | paymaster (as Steve Trombotore) | |
| Jared Underwood | .... | financial services: Imperial Bank | |
| Matthew Warren | .... | completion bond: Film Finances (as Matt Warren) | |
| Kurt Woolner | .... | completion bond: Film Finances (as Kurt Wolner) | |
| Recent Posts (updated daily) | User |
|---|---|
| Pure visual poetry | jantric |
| One thing I really liked about this, er, presentation. | palomarjack |
| Absolute waste of a film | mloessel |
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| 2012 | King of the Rocket Men | The Core | Religulous | Dante's Peak |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Chant ten thousand geeks, as Wesley Crusher appears on screen. Does he die? Frankly, who cares. With no characterisation, a plot that could be (and probably was) written on the back of a cigarette packet, mediocre actors, a sloppy score, Amateur Hour CGI and fair to middling awful camera work, it's hard to pay attention to anything happening in this B- movie.
Guys, here's a hint. When the crew turns up with Hi-8 camcorders, it's time to call your agent and see if there's any commercials going, or small car showrooms that need opened. This film does nobody any favours. It's pretty much welfare for C list jobbing actors and crew. Terry Farrel at least has the grace to look embarrased at doing the same old "lean to the left, spout some technobabble" rubbish she did on Star Trek, but Wesley actually seems to be trying to make something of his role. Unfortunately, all he manages to do is to make it highly irritating. Die, Wesley, die.
Low budget doesn't preclude a film from being fun, but this movie sadly tries to hide its budget. So cue "mass evacuation" scenes where five extras run out of a door and are filmed from three angles, sets where the paint on the plywood is barely dry, and muffed lines that are simply accepted rather than reshot (must have been running out of those Hi-8 tapes).
It's not even funny bad, it's just desultory and sad. Avoid.