Nami Matsushima, The Scorpion, still on the run from Kodama, meets Yasuo. Together they try to exact revenge on the corrupt detective, but when things go awry, Nami is back in prison and has to find a way to escape before being hanged.
Mako and her girl friends enter a dispute with rival street gangsters The Eagles, a band of racist macho pigs led by the evil Baron, who hate half-breeds (descendents of afro-American and ... See full summary »
Akemi and the man of her clan confront their opponents; Akemi delivers a sword thrust to kill the opponents' leader, and Aiko, his daughter, tries to interpose herself, suffering a glancing... See full summary »
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the ... See full summary »
Two Japanese men help a Vietnam war deserter escape from Japan for Sweden. They plan to fund the escape by selling LSD pills. After word of the drug deal gets spread around they find themselves fending off rival gangs.
Kuroda (Jô Shishido) is a mob hitman who turns on his employers after being forced to execute his lover. Joining forces with his similarly wronged brothers, hot-headed Eiji (Tatsuya Fuji) ... See full summary »
Jiro, an ex-convict, comes back to the street after eight years. The gang to which he belonged is nearly disbanded; only the aging boss in his sick bed remains. Still loyal to the ex-boss, ... See full summary »
All good things must come to an end, including the Stray Cat Rock series with five entries in total in the franchise. After four movies all released in 1970 (three of them directed by Yasuharu Hasebe), the final part was helmed by Toshiya Fujita who had also made the second film Wild Jumbo. By this time the differences between Hasebe and Fujita's directing styles have become clearer than before but in the end I think both did a good job with the series.
Hasebe's three Nora-neko films all dealt with gang rivalries in big cities while Fujita's first effort was a leisurely caper story largely set on a sandy beach. Likewise, Crazy Rider '71 (a.k.a. Wild Measures '71 a.k.a. Beat '71) takes place outside busy urban environments and comes across as much lighter in tone than its immediate predecessors. The plot gets started when Furiko and Ryumei (Meiko Kaji and Takeo Chii), two members of a park-dwelling hippie gang from Shinjuku, are ambushed by a biker gang. Ryumei stabs one of the thugs to death but is forcibly taken away by his shady politician father (Yoshio Inaba), leaving Furiko to take the blame for the crime. She cannot forget him, escapes from prison in order to find him again and is soon joined by her gang in the small town of Kurumi. However, Ryumei's powerful father has no intentions of letting the bohemian hippies influence his son ever again.
Even though there are many tragic plot twists, most of the time the mood is significantly more comedic than before. The general bumbling of the hippies and their young adopted son Mabo, idyllic scenes of tandem cycling, roaming in a Wild West theme park, a whinnying sound effect on a motorcycle and other details all create a contrast to the dramatic finale that is probably the most spectacular and action-packed in the whole series. Additionally, the music is a lot softer than before but still almost as groovy and funny as always, especially the totally random song performance of the real-life psychedelic rock group The Mops in the middle of everything. There is also some drug use and a light naughty scene, all in comedic contexts unlike similar themes in Hasebe's films.
Even though I like the movie overall, it can be noticed that the series was clearly running out of steam by this point. The star of the franchise Meiko Kaji is absent for a large part of the runtime and her character's relationship with Ryumei (a.k.a. Takaaki) is not paid much attention by the writing, so the emotional background for the big showdown at the end remains vague. Ruymei's new girlfriend Ayako also comes across as a somewhat unnecessary and underused character, not to mention how it is difficult to grasp what the writers were thinking when killing off a certain character completely out of the blue at one point. Furthermore, the trademark camera trickery is heavily downplayed this time, reducing the style to just some quick zooms and occasional hand-held shaking. Still, the actors playing the hippies are pretty funny throughout; I don't know their names but I think at least Tatsuya Fuji is among them, as expected in this franchise.
When all is said and done, I think Crazy Rider '71 is a very watchable youth gang flick, flawed or not. Those who enjoyed Fujita's Wild Jumbo should definitely give this one a go since the similarities are obvious from early on, but with some reservations I would recommend Fujita's movies to Hasebe's fans too. The very last shots leave the film's ultimate "message" open for interpretation hopeful or not? Watch the movie, decide for yourself and take a look at the other parts as well.
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