| Shulamit Adar | ... | Rivka | |
| Liliane Rovère | ... | Regine | |
| Esther Gorintin | ... | Vera | |
| Natan Cogan | ... | Graneck | |
| Mosko Alkalai | ... | Shimon (as Moscu Alcalay) | |
| Maurice Chevit | ... | Mendelbaum | |
| Michael Shillo | ... | Monsieur Katz (as Michaël Shillo) | |
| Abraham Leber | ... | Mr. Zalcberg | |
| Alain Zylbering | ... | Max | |
| Patrick Lizana | ... | Henri | |
| Magdelena Czartoryjska | ... | Guide | |
| Reuven Shefer | ... | Lev (as Reuven Sheffer) | |
| Avrom Perel | ... | Millo | |
| Eva Judkiewiecz | ... | Mme. Zalcberg | |
| Paula Levy | ... | Mme. Sonia | |
| Michel Feldman | ... | M. Sonia | |
| Paul Morgensztern | ... | Nathan | |
| Samuel Grinbaum | ... | Sholem | |
| Muriel Brenner | ... | Student | |
| Zygmundt Szatkowski | ... | Driver | |
| Henri Haut | ... | Albert | |
| Michel Zelany | ... | Doctor | |
| Max Tzwangue | ... | Rabbi | |
| Isaac Sharry | |||
| Wlodzimierz Sztejn | ... | Cantor | |
| Borys Fajngold | |||
| Armand Finkel | ... | Flag Man | |
| Madeleine Goldstejn | ... | Mme. Goldstejn | |
| Israel Goldstejn | ... | M. Goldstejn | |
| Freddy Earle | ... | Jo Bernstein | |
| Leopold Kozlowski | ... | Pianist | |
| Albert Grinberg | ... | Drummer | |
| Claude Mouton | ... | Double Bass | |
| Zwi Kanar | ... | Mime (as Zvi Kanar) | |
| Frederic Ambrosio | ... | Doctor | |
| Katia Wyszkop | ... | Dora | |
| Pierre Benque | ... | Dora's Husband | |
| Lola Wyszkop | ... | Dora's Daughter | |
| Simon Bouchoucha | ... | Dora's Son | |
| Maya Trotta | ... | Baby | |
| Vladimir Friedman | ... | Felix | |
| Natalia Voitulevitch-Manor | ... | Lea | |
| Dan Manor | ... | Felix's Son | |
| Guita Gruzina | ... | Vera's Cousin | |
| Alma Fogiel | ... | Israeli Guide | |
| Doron Avrahami | ... | Taxi Driver | |
| Sasha Chernichovsky | ... | Hotel Employee | |
| Hagit Manor | ... | Young Girl |
Directed by | |||
| Emmanuel Finkiel | |||
Writing credits | ||
| Emmanuel Finkiel | (written by) | |
Film Editing by | |||
| Emmanuelle Castro | |||
Casting by | |||
| Rodica Alkalai | (as Rodika Alcalay) | ||
| Nathaniele Esther | |||
| Stéphane Touitou | |||
Makeup Department | |||
| Françoise Ben Soussan | .... | key makeup artist | |
Production Management | |||
| Jean-Jacques Albert | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nicolas Cambois | .... | first assistant director | |
| Laurent Herbiet | .... | assistant director | |
| Paolo Trotta | .... | assistant director | |
Art Department | |||
| Dorota Ignaczak | .... | production design: Poland | |
| Shlomo Olgisser | .... | set designer | |
| Simcha Speizer | .... | production designer: Israel | |
| Waldemar Weiss | .... | construction coordinator | |
| Katia Wyszkop | .... | production design: Paris | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Bernard Chaumeil | .... | boom operator | |
| William Flageollet | .... | sound mixer | |
| Pierre Gamet | .... | sound: Poland and Paris | |
| Olivier Goinard | .... | assistant sound editor | |
| Jean-Claude Laureux | .... | sound editor | |
| Pedro Marques | .... | synchronization sound engineer | |
| François Waledisch | .... | sound: Israel | |
Camera and Electrical Department | |||
| Noam Eisenberg | .... | key grip | |
| Jean-Claude Larrieu | .... | cinematographer: Israel | |
| Hans Meier | .... | cinematographer: Poland/Paris | |
Costume and Wardrobe Department | |||
| Tzipi Anglisher | .... | costume designer: Israel | |
| Jeannine Gonzalez | .... | costume designer: Poland/Paris | |
Editorial Department | |||
| Saskia Berthod | .... | assistant editor | |
Other crew | |||
| Olivia Bruynoghe | .... | script supervisor | |
| Bénédicte Darblay | .... | continuity girl | |
Thanks | |||
| Chantal Akerman | .... | thanks | |
| Santiago Amigorena | .... | thanks | |
| Yvon Crenn | .... | thanks | |
| Christine Gozlan | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Poland section |
A beautiful, slow, careful movie which prefers complicated situations to cliches, and offers us nuances rather than the more typical hammer-over-the-head. Don't expect any Hollywood razzle dazzle - this is European in the best way: quiet, small, and focused. A perplexing and puzzling story which asks us to consider memory as a riddle. Beautiful, beautiful movie.