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Sarah Jessica Parker,
An ancient skeleton has been discovered in Jerusalem in a rich man's tomb. Colouration of the wrist and leg bones indicates the cause of death was crucifiction. other signs, include a gold coin bearing the marks of Pontius Pilate and faint markings around the skull, lead authorities to suspect that these could be the bones of Christ. Politicians, clerics, religious extremists and those using terror as a means to an end, find their beliefs and identities test while risking their lives to unearth the truth Written by
When Matt goes to visit Father Lavelle, Father Lavelle refers to Mark 18:21. Mark only has 16 chapters. Then later he refers to Mark 13:21. See more »
This is unusual. Minor indentations from the coronal suture along the frontal. The skin was pierced with something right to the skull, pointed objects of some kind, but not metal. You see? There's no oxidation. All the way along the supra orbital notch. Ah. Our fellow was obviously... male, yes... and certainly crucified. I'm not sure about this date, 500 BC. It appears roman.
Well, if you see this mark here on the ribs, looks like they finished up with a round spear. Build up of right ...
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Given a new resonance in the light of James Cameron's recent Geraldo Riveraesque TV special, The Body certainly isn't the stinker the critics claimed, more a film with an intriguing premise that it's too eager to avoid offending anyone with to really capitalise on. Somewhat reminiscent of 70s miniseries The Word, it sees Olivia Williams' Jewish archaeologist discover the tomb of a crucified man who died in AD 32 with identical wounds to Christ in Jerusalem, in the process opening a rather nasty can of worms that sees the Catholic Church, the Israeli authorities, Palestinian political groups and Hassidic Jews all at increasing odds over the possible consequences, with the Vatican sending Antonio Banderas' priest to investigate and debunk the find leading to the inevitable crisis of faith. So far so promising, but despite being more entertaining than expected it never quite gets to grips with either the theological or political implications, while playing down the genuine archaeology to avoid confusing the intended audience. Naturally it ends in a shootout and a big explosion (the film throws in another at the halfway point to keep things lively) and things do briefly get silly as a typically hammy Derek Jacobi's loss of faith and subsequent mental breakdown reaches a melodramatic turning point (cue slo-mo anguish from Antonio), but if it never hits the heights it's never dull either and Vilmos Zsigmond's cinematography is typically strong.
Note to Olivia Williams, though: sneering in profile just makes you look like Tara Palmer Tomkinson, and that's not a good look for any girl.
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