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Beyond the City Limits (2001)

 -  Drama | Crime  -  5 May 2002 (Sweden)
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Ratings: 4.2/10 from 534 users  
Reviews: 26 user | 3 critic

Three women outsmart unsavory men who try to cheat them out of their take in an almost-botched casino heist.



(story), (screenplay), 2 more credits »
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Title: Beyond the City Limits (2001)

Beyond the City Limits (2001) on IMDb 4.2/10

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Cast overview, first billed only:
Michael Cole ...
Sandra Gould ...


The Russians smalltime crooks Sergei Akotia and Yuri plan to hold up two million dollars from a casino with the inside information of the security guard Troy and the support of two dirty cops. When the two cops are killed, they decide to call off the heist and they kick out their girlfriends Misha and Lexi. Misha and Lexi meet an old friend of Misha, Helena Toretti, who is in a divorce process with the bored and upset detective Jack. The trio plots revenge against the guys and decide to rob the casino with Troy. But the plan turns upside-down with unpredictable events. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Plot Keywords:

casino | heist | russian | shootout | robbery | See more »


Three friends. Two million dollars. One opportunity. See more »


Drama | Crime

Motion Picture Rating (MPAA)

Rated R for strong violence, sexuality, language and drug content | See all certifications »





Release Date:

5 May 2002 (Sweden)  »

Also Known As:

Rip It Off  »

Filming Locations:

Company Credits

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Did You Know?


Bloodstains appear and disappear on the safe door wall. See more »


Jack Toretti: Who the fuck is that?
Helena Toretti: It's me, dummy.
Jack Toretti: That's a good way to get your head blown off, Helena.
Helena Toretti: Yeah, well, I live here. Unfortunately.
Jack Toretti: Yeah, I know you do. Where were you?
Helena Toretti: You know what, Jack. Not tonight, all right?
Jack Toretti: Yeah? Who were you with? Huh?
Helena Toretti: Friends, Jack. Friends.
Jack Toretti: You don't have any friends.
Helena Toretti: Oh, good. You know next time, Jack, why don't you just shoot me.
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User Reviews

Great movie if you know what (not) to expect
21 March 2010 | by (New York City) – See all my reviews

1. This is not an action flick.

2. This is not a crime thriller.

If you can swallow those up front, I think you might enjoy the film. As best as I can put it, this story is a character study of three loser women and the loser men they hang out with in LA. The three women, realizing that their lives are nothing but sound & fury, band together to change things, although they're not quite sure how. As the story progresses, so does their desperation and ultimately their resolve to pull off a crazy heist which they hope will get them beyond the city limits and free of their loser lifestyles forever.

Although the story is interesting, make no mistake, the principal focus is on the characters. Most of the film focuses on the 3 friends and their funny, sad & angry moments, building a tone of quiet frustration which comes to a climax in the last 20 minutes when they decide to go through with the crazy heist. But the first 70 minutes of the film is more like "Stand By Me", the adult female version. I think if you view the film that way, you'll really love it.

The acting of these 3 main characters is fantastic. There's not a lot of fireworks and histrionics, but instead you get a good, solid, realistic portrayal of real people. Natassja Kinski shines as the free spirit who, for some reason, can never get free of circumstances. Jennifer Esposito is equally convincing as a feisty woman whose life is winding down way too soon. And Alison Hannigan gives a great performance as the kid whose life has imploded before she can even get off the ground. I give another round of applause to Sophie B. Hawkins who shows that she can act as well as sing (not to mention wear a vinyl cat suit better than anyone I've ever seen. homina homina, "damn I wish she was my lover").

By the way, don't kill yourself looking for a widescreen version; I believe this was filmed in 4:3 which was annoying to me at first, but as the film progressed, I realized how well director Gigi Gaston made artistic use of the full screen format to convey a feeling of both claustrophobia and tightness between the 3 friends. I'd like to think it was planned that way (but if not, heck, someone did a great job of pan & scan). Gigi Gaston did a great job with this.

There are some great comedic moments if you're into dark comedy. Some of the situations are so bizarre they're hilarious. And I really think the dog "Woody" deserves an Oscar nom.

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