The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the ...
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A feudal village in Southeastern Turkey in 1970's. A poor peasant, Feyzo returns from military service dreaming about getting married to Gülo, the love of his life. However, he has to face ... See full summary »
Memo returns from Germany to get married with his love but his fathers killer Sulo is being released from jail. As a village rule he has to get revenge for his fahter or he can not get ... See full summary »
Late 19th century in Alexandria. Two traditionally rival Turkish families, "Seferoglu"s and "Tellioglu"s are competing for the "Green Valley". The winner will be determined by Daver Bey, ... See full summary »
The commander of the army constantly angered Husamettin'i Saban, after discharge to a friend instrumentalist health Ramazan begins. Binary, and the pursuit of the Commissioner detain ... See full summary »
A janitor/doorman and his family who came to "big city" Istanbul, with the hope to live a better life. With the different characters living in the building, the story evolves around the ... See full summary »
Shaban is Ramadan's best friend whom he met whilst serving as a marine in the Ottoman navy forces. But things get really complicated when Ramadan falls in love with Shaban's milk sister, Gulshen Sonofbubik.
Bilo is a goodhearted man who wants to marry the cutest girl in the village but needs money to take the consent from her father. His best friend Mahmut (Sener Sen) offers him a way to go to Germany and work in a factory to save up the money he needs.
Hababam Sinifi (The Chaos Class) continue to their adventures. Now first female students of the school history joins to the class and all Hababam Sinifi fight each other for them at first ... See full summary »
The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the Agha. Due to the long drought and provocations of Kekec Salman (big brother of Kiraz), the peasants steal the crops and run away to Istanbul. Without the peasants and crops, Agha is also forced to sell the village and move to Istanbul. But he cannot keep up with the big city life and consumes all his money and belongings. Agha's wife and relatives leave him during this downfall. Only Kiraz stays with him at the end and they make a fresh start via the best thing that Agha can make : raw meatballs ... Written by
I can't describe the power of this film, and I can't stop thinking about it either. There's a negative review on here that says to go see MICHAEL CLAYTON instead and not to waste your time. Well, if a movie about plot, overly drawn characters and artifice, all shot by the book, is what you're looking for, then yes... this probably isn't the movie for you.
But if you like people more than stories. If you want to see film-making at its most graceful and organic and inventive, if you want a musical score that will turn a sidelong glance into an operatic overture, then this IS the movie for you. It is a baroque masterwork. A cathedral of a film. Cold as stone but inspiring the soul.
Atilla Yigit is a god. He says so little, but communicates so much. There's an entire ocean of emotion inside or him, spilling out of his eyes. I cried twice at this film. Once because of the subject matter and then again at the delicacy of the film-making. Don't let people with conservative tastes and conventional ideas of film and story tell you not to go see this movie. They are robbing you of experiencing pure emotive cinema.
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