The story takes place in a small town (called Hakkari) in Turkey at the beginning of the 70's. The time has come to bring technology into that small town. The first Television (or called ... See full summary »
Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms ... See full summary »
Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.
The commander of the army constantly angered Husamettin'i Saban, after discharge to a friend instrumentalist health Ramazan begins. Binary, and the pursuit of the Commissioner detain ... See full summary »
Shaban is Ramadan's best friend whom he met whilst serving as a marine in the Ottoman navy forces. But things get really complicated when Ramadan falls in love with Shaban's milk sister, Gulshen Sonofbubik.
"Hababam sinifi" have been flunking for years. Students have grew older and one of them had married. One day, he had to bring his baby to the school because his wife had to go to a work trip. But they couldn't hide the baby for too long.
Based on a true story set in 1948, customs officer Mehti is faced with the duty of formally setting up the border between Turkey and Syria, dividing his hometown. He is unaware of the pain ... See full summary »
When Altan swipes prescription drugs from his brother Nuri's pharmacy, they soon find themselves on a dangerous but funny road trip to get rid of the stuff and escape the mafiosi Altan ... See full summary »
I can't describe the power of this film, and I can't stop thinking about it either. There's a negative review on here that says to go see MICHAEL CLAYTON instead and not to waste your time. Well, if a movie about plot, overly drawn characters and artifice, all shot by the book, is what you're looking for, then yes... this probably isn't the movie for you.
But if you like people more than stories. If you want to see film-making at its most graceful and organic and inventive, if you want a musical score that will turn a sidelong glance into an operatic overture, then this IS the movie for you. It is a baroque masterwork. A cathedral of a film. Cold as stone but inspiring the soul.
Atilla Yigit is a god. He says so little, but communicates so much. There's an entire ocean of emotion inside or him, spilling out of his eyes. I cried twice at this film. Once because of the subject matter and then again at the delicacy of the film-making. Don't let people with conservative tastes and conventional ideas of film and story tell you not to go see this movie. They are robbing you of experiencing pure emotive cinema.
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