In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ...
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The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
About the daring adventure of exploring rainforest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls... See full summary »
A documentary on the chaotic production of Werner Herzog's epic Fitzcarraldo (1982), showing how the film managed to get made despite problems that would have floored a less obsessively ... See full summary »
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour fit of rage, Kinski completely destroyed the bathroom. From this chaos, a violent, love-hate, profoundly creative partnership was born. In 1972, Herzog cast Kinski in 'Aguirre, the Wrath of God'. Four more films would follow. In this personal documentary, Herzog traces the often violent ups and downs of their relationship, revisiting the various locations of their films and talking to the people they worked with. Written by
L.H. Wong <firstname.lastname@example.org>
I first caught this film midway through, when it was on IFC. Not only did it stop me in my tracks, but I looked up to see when it would next be on so I could set the VCR. Though Herzog attempts to portray himself as the cool and reasonable half of this dastardly duo, his own megalomania and ego shine through. This documentary catches on film the fine edge between brilliance and insanity, and the result is simply stunning. This is not a biography of Kinski but rather a kind of valentine to him that celebrates his (and Herzog's) mad genius.
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