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The House of Mirth (2000)

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A woman risks losing her chance of happiness with the only man she has ever loved.

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(novel),
Nominated for 1 BAFTA Film Award. Another 6 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
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George Dorset
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Sim Rosedale (as Anthony Lapaglia)
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Judy Trenor
Pearce Quigley ...
Percy Gryce
Helen Coker ...
Evie Van Osburgh
Mary MacLeod ...
Mrs. Haffen (as Mary Macleod)
Paul Venables ...
Jack Stepney
Serena Gordon ...
Gwen Stepney
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Storyline

Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lilly always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

When a woman has the beauty men admire and women envy...it is wise to tread carefully.

Genres:

Romance | Drama

Motion Picture Rating (MPAA)

Rated PG for thematic material | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

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Release Date:

7 March 2001 (France)  »

Also Known As:

Glädjens hus  »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

£88,920 (United Kingdom), 15 October 2000, Limited Release

Opening Weekend USA:

$45,039, 25 December 2000, Limited Release

Gross USA:

$3,041,803, 8 July 2001
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Shooting angles for some outdoor scenes had to be changed because groups of The X-Files (1993) fans congregated in the background to see Gillian Anderson. See more »

Goofs

The film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" - but that opera was first performed in New York in 1922. See more »

Quotes

Lily Bart: I thought that I could manage my own life, but I have been foolish, foolish to the point of being compromised.
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Crazy Credits

Thanks to the staff of Kelvingrove Museum, the Lord Provost and staff at Glasgow City Chambers, residents of Kersland Street, all the staff at the Arthouse Hotel, Glasgow, and the Earls of Wemyss and March and Lady Wemyss. See more »

Connections

Version of The House of Mirth (1983) See more »

Soundtracks

Rothko Chapel: Movement 4
Composed by Morton Feldman
Soprano: Melanie Pappenheim
Viola: Paul Silverthorne
Percussion: Steve Henderson
Courtesy of Universal Edition (London Ltd)
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User Reviews

 
Mesmerising film
9 August 2005 | by See all my reviews

This is a slow paced mesmerising film. If your only knowledge of Gillian Anderson is as Dana Scully in the X-Files then you are in for a big surprise. Firstly the lady can act, and secondly with great subtlety. If you have read the book then clearly the writer/director Terence Davies has taken a few liberties. But so much script has been lifted word for word from the novel that I think he can be forgiven any eccentricities. This is a story of manners in early twentieth century New York and environs. Everyone seems so decent and 'proper', but each plays their own manipulative game. No-one (with the exception of Sim Rosedale) tells the truth. As a morality tale it seems as relevant today as when Edith Wharton wrote it. Davies has succeeded in losing none of its mood or punch by transferring it to screen. Unfortunately I think this is a film that requires watching more than once as some explanatory scenes appear to have ended up on the cutting room floor. Generally the acting is excellent throughout though I felt that at times Davies's enthusiasm for detail hamstrung some actors where others appeared to have relished the close direction. This is a film to add to your personal collection.


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