While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality ... See full summary »
The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. ... See full summary »
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »
Davies' film is divided into three segments enitled "Children", "Madonna and Child", and "Death and Transfiguartion". The segments tell the life of Robert Tucker. The first segment looks at... See full summary »
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or ... See full summary »
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for ... See full summary »
Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lilly always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden. Written by
Director Terence Davies whenever possible used actual period dresses - some so fragile with age that they ripped off of the actresses during scenes - and period corsets, which caused some of the actresses great pain but made them understand better the constraints put on women of the period. See more »
The film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" - but that opera was first performed in New York in 1922. See more »
[to Grace at the opera house]
Thank you for telling me, Grace. But I must say this unwelcome information has completely ruined the Mozart for me.
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Thanks to the staff of Kelvingrove Museum, the Lord Provost and staff at Glasgow City Chambers, residents of Kersland Street, all the staff at the Arthouse Hotel, Glasgow, and the Earls of Wemyss and March and Lady Wemyss. See more »
This is my favorite of all the Wharton novels adapted for the screen. The precision and depth with which the director and actors go is absolutely true to the novel in almost every respect.
Gillian Anderson is a revalation here, she perfectly captures the repression and pain of being a woman stuck in that time and place with no way out. You can feel her pain and torment in every quivering close up, and the passion contained in her kissing scenes (or to be more precise, her NON kissing- kissing scene) with Eric Stoltz is something to behold.
Eric Stoltz is equally amazing in one of the most complex and difficult roles for a man to play. I must disagree with the viewer from China, Mr. Seldon is NOT meant to be terribly "masculine" or "deep voiced" or "unbearably handsome"- those are modern readings that perhaps we expect from the role of the 'male hero' in modern films- but here Mr. Selden is written exactly as he is played- walking a fine line between what is correct behaviour for the time, and what he was or wasn't allowed to do in regards to her rescue. He is torn by love of Lilly Bart and the realization that he is not the right man for her, as the all important social scene would frown on their union. The actor portrays this ambiguity perfectly, and I for one found it a relief that the man didn't ride in and save the day in that cliched movie way.
I also must commend the supporting players of Anthony LaPaglia (whose role "Sim Rosedale" is originally written as a Jewish man, one of the few changes made to the n script adaption of the novel) and Laura Linney as Bertha Dorset, the 'bad girl' of the story. They both bring a life to the story that is rare to see in a period film, most actors seem to be too afraid or respectful of the material to really bring it to life.
I even enjoyed Dan Ackyroyd in a role that I didn't see him in or expect to like him in. I suppose my feelings about him are coloured by old Saturday Night Live shows, or Driving Miss Daisy, but I think he was terrific in a role that is not the most explored in the novel or the film.
Everything about this film held my interest and moved me, and I'm a very tough audience as far as Wharton goes. The pacing is indeed slow, but if you give yourself over to it it is like taking a warm bath in a quick shower world.
Very well done!
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