The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »
The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for ... See full summary »
Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, ... See full summary »
Among the rich in New Orleans, it's the lush life for Lionel Exley, a golf hustler and heavy drinker. Released from an Arkansas jail, "Ex" returns to the Big Easy and starts a friendship ... See full summary »
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or ... See full summary »
Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lilly always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden. Written by
Director Terence Davies whenever possible used actual period dresses - some so fragile with age that they ripped off of the actresses during scenes - and period corsets, which caused some of the actresses great pain but made them understand better the constraints put on women of the period. See more »
The film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" - but that opera was first performed in New York in 1922. See more »
I'm not sure how this movie could get a bad review. Of course, there are those people who find its pace too slow. However, one must realize that this is a period drama; it's not meant to be an action-packed suspense thriller. Everything is subtle, but it is so beautifully prepared, thought out, and executed by all.
1. Were it for nothing else, the technical aspects of this film would have kept me watching until the very end. The music was perfectly placed to rise and fall with the internal emotions of the characters - especially Lily and Lawrence - and to express the turmoil of the social downfall of Lily. On top of that, you have phenomenal costumes and set with the most lavish colors. Lastly, and possibly what I found most fascinating about the film, was the lighting. it always seemed just bright enough or just dark enough to reflect the romance or dreariness. In addition, there is just not denying that the way the light fell upon Gillian Anderson in every, single scene is something I have never seen before.
2. The all-star cast! Gillian Anderson. Eric Stolz. Laura Linney. Anthony LaPaglia. Dan Akroyd. Do I have to go on? I can almost guarantee that you'll find yourself, at one point or another, yelling at the screen. These characters are so manipulative and deceitful and malicious. And Lily is so naive and just won't accept love when it's given!! I think the best thing about the cast and performances in this film is that watching the film and listening to it are 2 completely opposite experiences. The actors convey one thing with their faces and another with their voices; it's pure talent. I was amazed.
3. If nothing else, this film should watched purely for Gillian Anderson. This project was so different than her 'X Files' persona - and such a success, at that. The way she uses her eyes to express 5 different emotions in a matter of seconds blew me away. Her acting and utter vulnerability was awe-inspiring.
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