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While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality ... See full summary »
San Gimignano, in Toscana, alla fine degli anni '70. La fine degli ideali degli anni '70 vista in un piccolo microcosmo, pensando a platee più vaste di giovani in crisi. Giovanni, ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this ... See full summary »
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lilly always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden. Written by
Due to the bankruptcy of German distributor Kinowelt in 2001, the movie never had an official release in Germany (theatrically or on DVD), although there was already a German dub version created. See more »
The film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" - but that opera was first performed in New York in 1922. See more »
[to Grace at the opera house]
Thank you for telling me, Grace. But I must say this unwelcome information has completely ruined the Mozart for me.
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In the opening credits the Kinowelt Medien AG is misspelled as "Kinowelt Median AG" See more »
Along with Scorsese's, The Age of Innocence and Iain Softley's, The Wings of the Dove, Terence Davies' The House of Mirth forms a triumvirate of modern period drama for a discerning audience. Davies is not interested chiefly in either scenery or costume - that is, in history as a heritage theme-park - but in the story, its themes and characters, and in teasing out good performances from his cast. The modest budget of this film works in its favour. Most of the best scenes and shots are framed in intimacy, not lost amidst panoramas of superficial grandeur or the shallow aesthetics of Merchant-Ivory-style film making.
At the heart of Davies' film is Gillian Anderson's brilliant performance as Lilly Bart. Since she is on screen almost all of the time the film really stands or falls by her performance. She sheds her "X-Files" persona in moments and conveys an enormous range of subtle emotions as her character vacillates between an almost involuntary avarice and moral scruples, foolishness, charm, fortune and tragedy. The affect of Anderson's performance is lasting and deep. Indeed, this film lives on long in the memory and continued to trouble me for weeks after I had seen it.
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