The House of Mirth (2000)

User Rating:

6.8/10   

Director:

Terence Davies

Writers:

Edith Wharton (novel)
Terence Davies (written by)

Release Date:

27 October 2000 (Ireland)

Genre:

Romance | Drama

Tagline:

When a woman has the beauty men admire and women envy...it is wise to tread carefully.

Plot:

A woman risks losing her chance of happiness with the only man she has ever loved.

Plot Keywords:

Lawyer | Suicide | Letter | Debt | Secretary

Awards:

5 wins & 13 nominations

Cast

Gillian Anderson	...	Lily Bart
Dan Aykroyd	...	Augustus 'Gus' Trenor
Eleanor Bron	...	Mrs. Julia Peniston, Lily's Aunt
Terry Kinney	...	George Dorset
Anthony LaPaglia	...	Sim Rosedale (as Anthony Lapaglia)
Laura Linney	...	Bertha Dorset
Jodhi May	...	Grace Julia Stepney
Elizabeth McGovern	...	Mrs. Carry Fisher
Eric Stoltz	...	Lawrence Selden
Penny Downie	...	Judy Trenor
Pearce Quigley	...	Percy Gryce
Helen Coker	...	Evie Van Osburgh
Mary MacLeod	...	Mrs. Haffen (as Mary Macleod)
Paul Venables	...	Jack Stepney
Serena Gordon	...	Gwen Stepney

Also Known As:

Chez les heureux du monde (France)
Haus Bellomont (Germany)

MPAA:

Rated PG for thematic material.

Runtime:

140 min

Country:

UK | France | Germany | USA

Language:

English | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:L | South Korea:12 | Argentina:Atp | Australia:PG | Finland:S | France:U | Netherlands:AL | Norway:A | Spain:13 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:PG | USA:PG | Singapore:PG

Filming Locations:

Glasgow, Strathclyde, Scotland, UK

Company:

Arts Council of England

Trivia:

Shooting angles for some outdoor scenes had to be changed because groups of "The X Files" (1993) fans congregated in the background to see Gillian Anderson.

Goofs:

Anachronisms: The film, which takes place during 1905-07, depicts several characters attending a performance of the opera "Cosi fan tutte" -- but that opera was first performed in New York in 1922.

Quotes:

[to Lawrence]
Lily Bart: Love me. But don't tell me so.

Movie Connections:

References Letter from an Unknown Woman (1948)

Soundtrack:

Oboe Concerto in D Minor: Slow Movement

Film Masterpiece Rewards Repeated Viewings

Anyone with years of experience making or watching film will recognize virtuoso work by Terence Davies, his cast and crew here. This admittedly languorous film rates ten out of ten for me and ranks close to Fanny and Alexander for its emotional control and depth. Get the DVD! With $8.7 million Terence Davies did what Scorsese could only impersonate with Age of Innocence, and which Merchant and Ivory haven't done for a long time. Davies has created the suffocating, cosseted and unforgiving social milieu of New York and Tuxedo Park circa 1905-07. The sets, the sense of place, the stunning cinematography of Remi Adefarasin (Elizabeth), and most of all Gillian Anderson's virtuoso performance combine with Davies' excruciatingly seductive pacing and scoring cues to track in loving detail the missed opportunities and downfall of Lily Bart. Every line Wharton used to describe Lily's inner life is there in Anderson's face and in Davies screenplay and direction. If the film feels stiff to younger viewers, it's because it's deadly accurate socially. That gilded society WAS stiff, unforgiving and precoccupied with keeping out the nouveau riche. Anyone who has tried to gain entry to a social register or the DAR might have a easy time understanding the upper class world of New York in 1905.

I must commend Davies for the risky choices he made in casting Eric Stoltz as Lawrence Selden and Dan Ackroyd as Gus Trenor. Ackroyd's boisterous girth works here because Gus Trenor is both gatekeeper and gatecrasher of this social circle. He and his wife are major forces in deciding who's in and out. Ackroyd is not the deepest actor, but neither is Gus Trenor deep. In fact he's to great degree, a backslapping facade. Despite his wealth and high standing, Trenor is pragmatic and doesn't turn his nose down at courting filthy-rich newcomers desiring social elevation - men like Sim Rosedale (Anthony LaPaglia) - if it means Trenor makes a buck. And yes, Eric Stoltz is not a "convincing" choice for a romantic lead, yet he's perfect for the role of Lawrence Seldon, since Seldon balks repeatedly at being Lily's leading man anyway. The sexual charge and arch, ambivalent fencing between Lily and Lawrence is intensified by something indescribable that happens between Stoltz and Anderson in every scene played between them. I can't figure out why it works, except that these two fine actors "found each other". Stoltz's tenor crispness - his not quite boy, not quite man-ness - adds to his character's elusiveness, cowardice and vulnerability. Finally, Laura Linney is devastating as Lily's reptilian nemesis, Bertha Dorset. For me, she evokes some of Glenn Close's lethal devilishness and charm. It is Lily's sense of propriety, her fine upbringing, that makes her incapable of finishing off Bertha in when she can, and should.

Davies' laser accurate sense of place and character sets House of Mirth apart. He's successfully created the last years of Wharton's treacherous gilded world, when carriages were what fine people still rode and automobiles were considered vulgar. Davies' production designer, art director and set decorator have created sumptuous yet stifling enviroments where Davies and his players can move us back one hundred years into a time we can only imagine and smell when we tour a Vanderbilt Mansion. And he did it without Titanic's budget. It's clear from his commentary that Davies had to repeatedly make do and it sounds like this production was a struggle. All I can say is, limitation is sometimes a fortunate mother. I hope Davies, now 57, will soon be up and running with a new film. I'm suprised to see no new project listed yet. If I were a producer, I'd pounce. This director has the magic. And excuuuse me...! No new projects listed yet for Gillian Anderson?

A short note to the Snatch fans that have dissed this film here: I loved Snatch too, loved it, but where's your freakin' RANGE kiddies? SNATCH and HOUSE OF MIRTH were my TWO FAVORITE films of 2001. Tell ya what. Go back to your videogames and Hollywood spectacles and only comment on classic adult film when you've spent a few more years watching much of the worlds great film literature. If HOM is too slow for you, let your hormones rage for a few more years and come back when you're ready to pay attention to human, not cartoon, reality. Meanwhile, don't drop your smirking, restless, impatient and limited verbiage on films like this one.