While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality ... See full summary »
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on ... See full summary »
Davies' film is divided into three segments enitled "Children", "Madonna and Child", and "Death and Transfiguartion". The segments tell the life of Robert Tucker. The first segment looks at... See full summary »
The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. ... See full summary »
Set in early 1900's France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter ... See full summary »
Jennifer Jason Leigh,
Terence Davies' The House of Mirth is a tragic love story set against a background of wealth and social hypocrisy in turn of the century New York. Lily Bart is a ravishing socialite at the height of her success who quickly discovers the precariousness of her position when her beauty and charm start attracting unwelcome interest and jealousy. Torn between her heart and her head, Lilly always seems to do the right thing at the wrong time. She seeks a wealthy husband and in trying to conform to social expectations, she misses her chance for real love with Lawrence Selden. Written by
Thanks to the staff of Kelvingrove Museum, the Lord Provost and staff at Glasgow City Chambers, residents of Kersland Street, all the staff at the Arthouse Hotel, Glasgow, and the Earls of Wemyss and March and Lady Wemyss. See more »
Along with Scorsese's, The Age of Innocence and Iain Softley's, The Wings of the Dove, Terence Davies' The House of Mirth forms a triumvirate of modern period drama for a discerning audience. Davies is not interested chiefly in either scenery or costume - that is, in history as a heritage theme-park - but in the story, its themes and characters, and in teasing out good performances from his cast. The modest budget of this film works in its favour. Most of the best scenes and shots are framed in intimacy, not lost amidst panoramas of superficial grandeur or the shallow aesthetics of Merchant-Ivory-style film making.
At the heart of Davies' film is Gillian Anderson's brilliant performance as Lilly Bart. Since she is on screen almost all of the time the film really stands or falls by her performance. She sheds her "X-Files" persona in moments and conveys an enormous range of subtle emotions as her character vacillates between an almost involuntary avarice and moral scruples, foolishness, charm, fortune and tragedy. The affect of Anderson's performance is lasting and deep. Indeed, this film lives on long in the memory and continued to trouble me for weeks after I had seen it.
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