While restoring an old painting showing a woman and two men playing chess, Julia discovers the text "Who killed the knight" underneath the paint. The owner of the painting tells her that ... See full summary »
This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful... See full summary »
For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other ... See full summary »
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
Professor David Ash is invited to Edbrook to calm the fears of the elderly nanny of the Mariell family. Nanny Tess is seeing things, and Ash's book debunking such phenomenon makes him a ... See full summary »
Adam Verver, a US billionaire in London, dotes on daughter Maggie, an innocent abroad. An impecunious Italian, Prince Amerigo, marries her even though her best friend, Charlotte Stant, an alabaster beauty with brains, no money, and a practical and romantic nature, is his lover. She and Amerigo keep it secret from Maggie that they know each other, so Maggie interests her widowed father in Charlotte, who is happy with the match because she wants to be close to Amerigo. Charlotte desires him, the lovers risk discovery, Amerigo longs for Italy, Maggie wants to spare her father pain, and Adam wants to return to America to build a museum. Amidst lies and artifice, what fate awaits adulterers? Written by
When the merchant delivers the golden bowl to Charlotte, he examines two pictures on the table behind the sofa. As he sets them down, the one on the right (seen from behind it) is placed so that it scrunches up the cloth runner. After Charlotte arrives, and he is explaining the coincidence of the subject couple asking about the bowl, the picture is seen again (from the front) and the cloth runner is smooth, as if recently ironed. See more »
What is it you want from me?
I want a happiness without a hole in it! I want the bowl without the crack!
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grateful thanks to Lord Tollemache and family; Frances, Duchess of Rutland; The Duke of Northumberland See more »
The best Merchant Ivory so far, and ideal film material.
The story is engrossing and perceptive, dealing with human relationships in all their forms. It takes a hard and frank look at the motivation behind several different relationships, which varies from selfishness, loneliness and boredom to love of the deepest kind. The film makes you wonder how and why we choose our friends.
Personally, I found the acting and direction superb, apart from a couple of flat speeches by Kate Beckinsale (whose accent also varied quite a bit). Unfortunately one of these comes in the scene where her character is introduced, which may have put some people off this film at an early stage (there are a lot of negative comments on here!). The rest of the cast are superb, especially Uma Thurman who is mastering the art of conveying a lot of meaning with just a single look. Tension builds up throughout and is skillfully maintained right until the end.
It is, of course, a film that you need to see on a big screen as part of the point of a Merchant Ivory production is the exquisite detail that goes into getting the costumes and locations just right. Even more so than in their past productions, a huge amount of effort has been spent here.
One thing I found is that the characters felt fairly isolated: most of the time, you just saw the leading characters in a scene on their own and, apart from a couple of party scenes, there was not much attempt to show the society in which they lived; also there were few exterior shots in the cities. It may be that that was quite deliberate, to show that these incredibly wealthy people lived very insular lives.
26 of 34 people found this review helpful.
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