Hollywood Vampyr is an expose of Los Angeles' gothic subculture as seen through the eyes of a young female vampire. The film focuses on FATAL (Nora Zimmett), a former heroin addict who, ... See full summary »
In the glamorous and competitive world of hi-fashion, Veronica Lamar now designs the clothes that she once modeled on the runway. While very successful with the "department store set" she ... See full summary »
Police Inspector Michel Eparvier investigates a crime tied to a dance class held by charismatic handicapped dance instructor Alan Wolf, who seems to be involved with some of his students, despite his disability.
Annie is girl with no moral compass, thanks to a complete lack of parental supervision. One day, while playing in the woods, a voice calls out to her from deep within an abandoned well, causing her to consider the right course of action.
A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
Monty is a bodybuilder. His gym is the very heart of his existence. He is aggressively male, outrageously narcissistic and a bigot. Sharing this strange world is Monty's cerebral and emotionally wounded younger brother, Bertin. One stormy day, the brothers' bizarre but settled lives are suddenly disrupted by the unexpected arrival of Lilith, a Catholic nun collecting contributions for an unusual cause. Lilith's arrival is the catalyst required to generate a momentous change in Bertin's relationship with his brother, a change that results in the astonishing and gruesome downfall of the vainglorious Monty. Written by
The film took over 14 years to complete due to the deaths of the original producer and the lead actor during the production process. The film started shooting in 1994 and was finally completed in 2008. It was Trevor Goddard's first starring role when the film began. In a twist of fate, it was also his last acting role as he died weeks after finishing his final scene in the film in 2003. Due to financial restraints, the remainder of the production and post-production process took a further 5 years to complete. See more »
The cast is listed "in order of appearance" but it lists Rudi Davis first. Trevor Goddard as Monty appeared first before the opening titles, then Rudi Davis as Bertin appeared after the title and credits rolled. See more »
Worship my boot, you monkey-fucker! That's what you and your kind are - monkey-fuckers - having never read the Bible, that passage about men screwin' men? Kiss my boot before I bash your fuckin' head in!
[Gay Man kisses his boot]
Yeah, it's you monkey-fuckin' faggots that started the plague!
I don't know what you're talking about.
I'm talkin' about AIDS, faggot. That butt-fuckin', dick-blowin', needle-poppin' disease of the twentieth century.
Hey, you're crazy!
Oh, you think so? Oh! Oh, I hear ...
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Simphonie: From the old French; The plant Henbane; A poisonous herb See more »
Mrs. Nog Is Here
By Miriam Cutler and Diane Lindsay
Performed by Diane Lindsay
Missprint Publishing BMI See more »
This film, coming out of nowhere, really astonished me. For starters, the Samuel Beckett staging immediately makes you expect surreal and strange things. But the filmmaker takes the surrealism into really dark and unpleasant realms. Monty is a loud-talking narcissist, and Bertin is so self-absorbed that he's even less human or likable. Bertin's true feelings for Monty are clearly problematic, and the film plays a terrible game with the audience as it seemingly drags us to the edge of incestuous carryings-on, on screen no less. Goddard's body is used to great effect in the filming. After watching it, I found myself trying to think of a film that exploits the male body in the same relentless way. Monty's body carries the film, to whatever extent the film works (for some viewers, it won't work, clearly); Monty's endless flexing and preenign and posing draw the viewer's attention relentlessly, and there is a compulsive and uncontrolled nature to the camera work here. Many people are put off by the homoeroticism and intense homophobia of the film, but I think it's important to see Monty's strange rants about homosexuality as a pitiful and broken man battling against his own sexual hungers. Some viewers come away with a sense that Monty has taken advantage of a gay man who hires him as a hustler, but that interpretation is open to debate. The man pays for rough trade to verbally belittle him, and Monty does physically subdue and verbally degrade the man. What happens when the cameras leave, before Monty leaves the man's house? Note that he arrives early in the afternoon and leaves late at night -- Monty seems to have been playing his role for many hours, a fact that many Puritanical viewers seem to miss. The ending is horrific, of course, and I wish that some of the Lilith material had been excised from the script. There are many things that could have been done better, but when the main actor and the producer/writer/director pass away, you end up with not only an inability to refilm scenes but an inability to take the director's vision from his mind and to the screen. For these flaws, I take off a few points, but for its incandescent sensuality and stunning atmosphere, I give it an 8.
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