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Drakula Istanbul'da (1953)



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Credited cast:
Güzin Arsoy
Kemal Emin Bara ...
Doktor Naci Eren
Kadri Ögelman ...
Münir Ceyhan ...
Doktor Afif
Eser Tezcan
Rest of cast listed alphabetically:
Bülent Oran Seslendirmesi


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Fantasy | Horror





Release Date:

4 March 1953 (Turkey)  »

Also Known As:

Dracula in Istanbul  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


In the movie, the word "vampire" is never mentioned. The word "spook" is used, instead of "vampire". See more »


When Azmi smokes in the library, length of his cigarette changes between shots. See more »

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User Reviews

An atypical Turkish version of the Dracula story
4 July 2016 | by (United Kingdom) – See all my reviews

Despite the relocation and the update to a contemporary setting (cars and neon signs are seen), Dracula IN ISTANBUL seems to be a fairly faithful retelling of the famous Bram Stoker story, albeit with the addition of a few new characters - namely a creepy hunchbacked servant who appears to be based on the Renfield character. Horror fans are familiar with Universal's Dracula (and, to a lesser degree, the Spanish version filmed at night on its sets) and the sequels that followed, and then Hammer's Dracula in 1958. But Dracula IN ISTANBUL is a film which seems to have slipped from public scrutiny, like most Turkish movies, and can only now be evaluated in an international, Internet-using world.

The movie has a stagy feel to it, due to the fact that it was basically the first genre movie ever made in Turkey at the time and the budget meant the movie was set-bound at all stages. However, the settings and occasional matte shots of a spooky castle are more than enough to give the movie an appropriate and authentic feel to it. The contemporary setting is a bit jarring at first but makes for some fun changes. For instance, the fragile Mina in the book - the main thrust of Dracula's attractions - here becomes a nightclub dancer played by Euro-beauty Annie Ball (I love the bathtub scene in which the camera shyly zooms into her legs at an appropriate moment). The acting appears stilted at times but is adequate for the production, with kudos going to Atif Kaptan who makes for an eerie, alien-looking Dracula. The extreme close-ups of Drac's madly staring eyes are a highly effective portrait of evil.

Speaking of eerie, horror-wise the movie succeeds in working up a few gentle chills, as is the norm for movies made in that period and watched in today's light. Favourite scenes include a hollow-eyed painting from which smoke weirdly billows, a graveyard exhumation, and a midnight walk through a creepy wood (day-for-night filming always looks better in black and white). The music is appropriate and helps to contribute to the atmosphere of the piece. My only complaint is that the lighting is far too dark in some sequences, and combined with the typically poor quality of Turkish movies in today's world, some bits are impossible to fathom.

The special effects used are simplistic in the extreme, with simple tricks like levitating coffin lids, offscreen howls, jump-cuts to make Dracula seem like he appears from nowhere, and fog billowing on to the screen (allegedly the result of a number of crew members frantically smoking just offscreen due to there being no budget for a dry ice machine!). The fact that Dracula has fangs here and walks down the outside of his castle wall, as per Stoker's novel, is a fine touch. This isn't brilliant by any means - it's badly dated and there are one-too-many nightclub dancing interludes. However there are enough elements to make this of interest to intrepid genre buffs and a minor classic of Turkish fantasy cinema.

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