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Little Devil May Care (1928)

Le diable au coeur (original title)
Ludivine Bucaille stupidly wishes that Leherg and his son Delphin both die at sea. Amazingly, Leherg actually is lost at sea but his son somehow survives. His mother subsequently dies of ... See full summary »



(novel), (scenario)


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Cast overview:
Roger Karl ...
Le père Leherg - le père de Delphin
Pierre Lauderin - un tenancier de boîte auquel Bucaille destine sa fille
Kissa Kouprine ...
Catherine Fonteney ...
Madame Bucaille - la mère de Ludivine
Magda Aranyi ...
La belle-mère de Lauderin
Leo Da Costa ...
Gaston Lauderin
André Heuzé ...
André Bucaille
Auguste Picaude ...
Maurice Bucaille - le père alcoolique de Ludivine
Falcau ...
Le frère de Lauderin
Jane Pierson ...
Une femme


Ludivine Bucaille stupidly wishes that Leherg and his son Delphin both die at sea. Amazingly, Leherg actually is lost at sea but his son somehow survives. His mother subsequently dies of sorrow. Remorseful, Ludivine gets her parents to take Delphin in their care. She makes sure the house is nice and tidy. Delphin and Ludivine grow to love each other and eventually get engaged. But father Bucaille, a drunk, wants Ludivine to marry Lauderin, the owner of a bar. Ludivine, in a moment of jealousy, thinking that Delphin has cheated on her, accepts. As Delpin plans on leaving the country the day after the engagement, Ludivine takes a boat to meet him. Lauderin sneaks into the boat and, as a storm hits it, he attempts to rape her. Delphin comes to the rescue. The two lovers can now unite. Written by Greg Philip {greg_philip@hotmail.com}

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Plot Keywords:

based on novel | See All (1) »







Release Date:

3 March 1928 (France)  »

Also Known As:

Ex-voto  »

Filming Locations:


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Sound Mix:

Aspect Ratio:

1.33 : 1
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User Reviews

Less Avant-garde, More Humanistic

Herr Marcel L'Herbier, an excellent French director of the silent era, made his most important works during the 20's of the last century. These are astounding silent oeuvres in which the modern, fashionable artistic tendencies that were in vogue in those early days are much in evidence. These avant-garde works have remarkable art-decó settings and are highly appreciated nowadays by silent connoisseurs for their modernity and Herr L'Herbier very personal style.

"Le Diable Au Coeur" (1928) is, in some ways, a completely different film in comparison with those avant-garde and "modern" films mentioned before; this time Herr L'Herbier forgets those fashionable experimental tendencies for the sake of a most conventional and realistic setting of a little French fishing town.

The beautiful maritime background and the little seaside village where the main characters live, condition the life and troubles of our heroine, Frau Ludivine Bucaille ( Betty Balfour ) . She is a madcap girl who leads a gang of boys who play continual childish pranks in the small village. She lives with her father and her two brothers (who are terrors like herself).She will maintain a troubled love relationship with Delphin ( Herr Jaque Catelain ) until, acting on the advice of her father who is looking out for his own interests, she gets engaged to Gaston Lauderin ( Herr Leo Da Costa ) an old satyr and owner of the town tavern.

This Herr Von can say also that "Le Diable Au Coeur" tells a conventional love story that from time to time seems monotonous and gives to this German count a feeling of "déjà vu" but thanks to Herr L'Herbier's skillful artistic intentions and the emphasis he gives to village life (very credible atmosphere with a strong regional flavour) and an excellent gallery of supporting characters, the familiar love story floats along on the waters of realism.

The beautiful scenery was photographed by an excellent trio, Herr Lucien Bellavoine, Herrr Jean Letort und Herr Louis Le Bertre, who capture the proper maritime background from the beautiful harbour to the decadent tavern. The art direction adds immeasurably to the film's effectiveness.

"Le Diable Au Coeur" is a remarkable film, less avant-garde, more humanistic than l'Herbier's other works but just as memorable ( as a curiosity, this film was produced together with UFA and Gaumont-British ). It depicts the greed, ambition and the human miseries of men, primal human feelings that can found in the most avant-garde of settings or in the life of a small town by the sea.

And now, if you'll allow me, I must temporarily take my leave because this German Count has other fish to fry.

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