As Magdalena's 15th birthday approaches, her simple, blissful life is complicated by the discovery that she's pregnant. Kicked out of her house, she finds a new family with her great-granduncle and gay cousin.
Thomas is the son of a prison warden. He falls for and seduces Martin, who is older and one of the prison inmates. After Martin is released, They try to build a relationship and a life ... See full summary »
Father Greg Pilkington (Linus Roache) is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon ... See full summary »
As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
Buck is a man-child who has lived his existence in a life of Romper Room, kindergarten collages, and lollipops. When his mother dies suddenly, Buck remembers his old childhood friend Chuck, with whom he feels a need to reconnect after having invited him to his mother's funeral. Buck treks out to Los Angeles where Chuck, an up-and-coming music record executive, is living his life. Buck ends up developing an obsession with Chuck and begins stalking him. Written by
When Chuck turns to the TV in his office and claims to have signed the band whose video is playing, the TV is showing They Might be Giants playing their song "Dr. Worm". See more »
The secretary says Chuck's office is on the sixth floor, but when Buck goes up to meet him he is on the third floor (look at the elevator doors when Buck changes his mind and leaves). See more »
Now, uh, would we be playing it like little kids like, uh like, like "La-la-la. I'm a little kid."
Well, you wouldn't be playing it like a little retarded kid, but yes, you would be acting youthful.
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Original story and vision--but it's designed to be irritating (and at that it succeeds)
"Chuck & Buck" is something a little different, and that's always a plus, but from the overly-giddy music to the brackish photography--with the camera always pulled in too close to the actors' faces--it's rather an obnoxious combination of sentiment and off-putting drama (it seems designed to be these things intentionally). Childhood friends are reunited years later at a funeral, but while Charlie is now a corporate businessman in Los Angeles, Buck is a lollipop-sucking, simple-minded child in a man's body (with homosexual leanings). The leading actors (Chris Weitz, a Christopher Reeve lookalike, as Charlie and Mike White in the more showy role of Buck) are both good, yet the structure of this story (man innocently stalking man) makes one uncomfortable. There are funny scenes and quirky details in Mike White's screenplay (such as the way strangers initially respond positively to Buck), but the overall effect is queasy. ** from ****
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