Carlos wants to be an actor. But his father, Pepe, wants him to work in the family business, that is, male prostitution. Carlos decides that he will be one of his father's boys until he can... See full summary »
Tim Lippe has no idea what he's in for when he's sent to Cedar Rapids, Iowa to represent his company at an annual insurance convention, where he soon finds himself under the "guidance" of three convention veterans.
A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one ... See full summary »
Buck is a man-child who has lived his existence in a life of Romper Room, kindergarten collages, and lollipops. When his mother dies suddenly, Buck remembers his old childhood friend Chuck, with whom he feels a need to reconnect after having invited him to his mother's funeral. Buck treks out to Los Angeles where Chuck, an up-and-coming music record executive, is living his life. Buck ends up developing an obsession with Chuck and begins stalking him. Written by
When Chuck turns to the TV in his office and claims to have signed the band whose video is playing, the TV is showing They Might be Giants playing their song "Dr. Worm". See more »
The secretary says Chuck's office is on the sixth floor, but when Buck goes up to meet him he is on the third floor (look at the elevator doors when Buck changes his mind and leaves). See more »
Listen, about the script... I see it as a love story between Hank and Frank.
Yeah. Don't you? It's like a homoerotic misogynistic love story.
Oh. Well, it is what it is. I don't know. I mean, I wanted to write something like... like the kind of things me and my friend used to do.
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Highly enjoyable, terrific look at the sometimes difficult transition between childhood and adulthood. Basically deals with the relationship between Chuck and Buck. 'Best' friends in childhood, but who have now taken completely different paths. Chuck is a successful record executive with a beautiful girlfriend. Buck is still immature and longing for the 'good old days'. Buck tracks Chuck down and tries to turn things back to the way they were, which leads to many problems.
Keenly looks at many universal human experiences from catering to that 'inner child', avoiding change, holding on to memories of simpler times, and even facing the fact that people can change and drift apart. It does all this while still conveying it's message (that accepting change is your best medicine) without ever being too preachy or too cute.
Fairs better than other films of similar type (FLOUNDERING, FREE ENTERPRISE) simply because the characters and situations are more consistent. This allows the viewer to better identify with their own similar experiences.
White as Buck is dynamite. Not only does he convincingly play a 11 year old, but he actually LOOKS like one despite being a adult.
Has a good non-flashy finale that,in it's own low key way, really hits home. A winner. Look quickly for Paul Sand as one of the playhouse directors
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