Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Business is slow for Terry Leather, a London car dealer, married with children. He's an artful dodger, so Martine, a former model with a thing for him, brings him her scheme: a bank's alarm is off for a couple weeks, so let's tunnel into the vault. He assembles a team, not realizing her real goal is a safe-deposit box with compromising photos of a royal: she needs the photos to trade for avoiding a jail sentence - and MI-5, or is it MI-6, is pulling the strings two steps removed. A Trinidadian thug, a high-end bordello owner, and a pornographer also have things stored in the vault, so the break-in threatens many a powerful personage. Is there any way these amateurs can pull it off? Written by
Roger Donaldson said one of the most difficult days of filming was when he filmed the brothel scene. The scene called for the women to be walking around wearing only garters. However, Donaldson said that when he went to film the scene he discovered that most of the women shaved their genitals, which would have been anachronistic for 1971. So the actresses had to wear pubic wigs called "merkins." This caused a problem because the merkins were hard to secure in place and kept slipping, causing Donaldson much aggravation. See more »
The underground train used in the film would have been used only on the newly opened Victoria Line and would have looked brand new in 1971. In 1971, both the Northern Line (Tottenham Court Road) and Bakerloo Line (Edgware Road to Paddington) would have had red underground trains possibly dating from the 1930s to the 1950s. See more »
[while drilling a mileage meter back]
Another Terry Leather low mileage here.
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Disclaimer: "The names of many people identified in this film have been changed to protect the guilty." See more »
Money (That's What I Want)
Written by Berry Gordy (as Gordy) / Janie Bradford (as Bradford)
Performed by The Storys
Published by EMI Entertainment World / J. Albert & Son
Licensed courtesy of J. Albert & Son Pty Limited
(p) 2007 Hall Recordings
Courtesy of Hall Recordings
John Waller Management
www.thestorys.co.uk See more »
I also saw this film at an advance screening. I don't normally watch any of the trailers before going, so tend to go in with an open mind. I was very pleasantly surprised, and while it perhaps won't win any Oscars, I thought it was well acted in the main with some faces you'll recognise. It might not have massive appeal outside the UK, however it is a good (based on fact) story. I'm not a massive fan of 70's music, but it wouldn't have done any harm to have a bit more in the background just to give it more of a seventies feel about it. The general mood of the film was good and for me seemed to set the scene well, without going overboard with sex or violence. On the whole, it's well worth a visit, even if you have never lived in that era.
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