Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Business is slow for Terry Leather, a London car dealer, married with children. He's an artful dodger, so Martine, a former model with a thing for him, brings him her scheme: a bank's alarm is off for a couple weeks, so let's tunnel into the vault. He assembles a team, not realizing her real goal is a safe-deposit box with compromising photos of a royal: she needs the photos to trade for avoiding a jail sentence - and MI-5, or is it MI-6, is pulling the strings two steps removed. A Trinidadian thug, a high-end bordello owner, and a pornographer also have things stored in the vault, so the break-in threatens many a powerful personage. Is there any way these amateurs can pull it off? Written by
Aldwych station was chosen to film the underground scenes because the true Tottenham Court Road station had been modified extensively in the early 1980s. Only Edgware Road still has any resemblance to its original look. See more »
The two tone police sirens as heard on the film have a distinct Gallic note, and are not the familiar two tone siren used by the Metropolitan Police in the '70s and '80s. See more »
[while drilling a mileage meter back]
Another Terry Leather low mileage gem.
See more »
Disclaimer: "The names of many people identified in this film have been changed to protect the guilty." See more »
I Believe in Love
Written by Steve Balsamo (as S. Balsamo), Dai Smith (as D. Smith), Rob Thompson (as R. Thompson)
Performed by The Storys
Published by Copyright Control/PRS-MCPS
(p) 2005 Hall Recordings
Courtesy of Warner Records
John Waller Management
www.thestorys.co.uk See more »
Truly a great heist movie, the Brits really can act.
This will be one of the best heist movie's you see in years. This movie is full of intense action and great wit. You will literally be at the edge of your seat up to the last minute, wondering if someone is either going to get killed or is someone going to get away. It is full of realistic drama, action, ultimatums, conspiracy and lust. At times it gets kind of scary and your heart will beat faster simply from the music. It is based on true story with a few additions of its own. The movie is put together absolutely perfectly.
The movie is neither too long to the point it bores you and kills the story nor too short to where you don't know the outcome. Everything in the movie is timed perfectly and is played step by step. Everything makes sense which although eliminates some surprises, those surprises are hardly needed and are so obsolete that you won't even care nor realize.
Overall the movie is "jolly good". British actors are really much better than American ones. All the emotions seem real and at a few points you'll feel just like the characters, which is great in any movie because it simply makes it more real. One more thing, this movie isn't for the faint of heart, there are a few scenes that are very graphic and gruesome, and a few scenes that should be in a rated "X" movie. Of course this doesn't do anything to the movie except add even more realism too it. This is just extra knowledge for those who may feel uncomfortable or squeamish in such scenes. Otherwise, this movie is a must to watch because it may very well be a classic.
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