Casey McCall and Dan Rydell are sports anchors and best friends. At "Sports Night", their nightly cable program, the two display their unique talent and skills in reporting up-to-the-minute... See full summary »
Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
The set was the largest constructed for both a pilot and a television series to date. It was so large, that during the first season, it had to be housed on two stages, each with an identical yellow corridor for continuity. During the hiatus between the first and second seasons, the set was moved to a larger stage, and put together, where it has remained ever since. See more »
In a couple of instances, Secret Service agents are seen holding an umbrella for a protectee. In reality, Secret Service agents must keep their hands free at all times. See more »
[still new to the White House, Josh can't find his desk]
I'll just walk around some more and see if I can get into a pick-up meeting.
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Episode titles are usually the first thing shown on screen (after recaps). This is one of the only American series to show episode titles before its opening credits. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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