Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
On the set of the series one day, Allison Janney was entertaining the cast and crew by lip-syncking to an obscure spoken jazz piece called "The Jackal", by Ronny Jordan. Aaron Sorkin liked it so much, that he wrote it into the next episode of the show ("Six Meetings Before Lunch") as a ritual of C.J.'s. See more »
First-season scenes shot on location in Washington D.C. show the Washington monument encased in the lighted scaffolding that was part of its renovation process. Aerial views of Washington shown in many of these same episodes (e.g., "Five Votes Down") do not show the scaffolding, indicating that these shots were taken from stock footage dating before the renovation. See more »
Sen. Arnold Vinick:
[closing remarks at Republican Convention]
My commitment to strive to be worthy of the example of the great men who have gone before. Presidents walk in giant footsteps. They have magnificent legacies to uphold. I stand here on this day and put my name forth, as one who aspires to their example, who will daily make that sacrifice, who will honor not just the office, but the people that office serves. *Their* President of these United States of America.
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Episode titles are usually the first thing shown on screen (after recaps). This is one of the only American series to show episode titles before its opening credits. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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