"Living in Your Car" follows the winding karmic adventures of fallen corporate exec, Steve Unger, who was caught cooking the books and now finds himself legally forbidden from working in ... See full summary »
Chloe, a shy and quiet Chinese-Canadian girl, has had her eye on a geeky Caucasian classmate since they were kids. Unfortunately, public school bullies, SAT exams and her crazy Chinese ... See full summary »
Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
Edward James Olmos was asked to play Judge Mendoza on a semi-regular capacity, and even though he wanted to, he had just been offered the role on American Family, a show he considered important to have on TV at the time. See more »
During outdoor scenes filmed for the 1999-2000 first season, the Washington Monument can be seen in the background encased in an elaborate blue mesh scaffolding used while the monument was undergoing a major renovation. However, in stock overhead shots used during the same episodes, the Washington Monument appears without the scaffolding (i.e., as it normally appears). See more »
[still new to the White House, Josh can't find his desk]
I'll just walk around some more and see if I can get into a pick-up meeting.
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Episode titles are usually the first thing shown on screen (after recaps). This is one of the only American series to show episode titles before its opening credits. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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