Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
The name Josh Lyman is from a Doonesbury strip in the 1990s. He also worked in the White House. This show's Lyman actually has the strip in his office. See more »
In a couple of episodes, New Hampshire State Trooper cruisers are shown as brown, and have red and blue lights. In reality, the cruisers are green and have only blue lights on the top. See more »
Would the White House care to comment on the expected contrast between the high degree of organization and discipline in the Republican Convention and the Democrats' anticipated free-for-all?
I believe the American people will be the beneficiaries, in that they will be presented with a clear choice: do they want to be governed by people who are animated, or animatronic?
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Episode titles are usually the first thing shown on screen (after recaps). This is one of the only American series to show episode titles before its opening credits. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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