Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
In a 2006 LA Times article, real-life former White House press secretary Dee Dee Myers (a consultant on the show), revealed that the relationship between press secretary C.J. Cregg and reporter Danny Concannon was based upon her own relationship with, and eventual marriage to, former New York Times White House correspondent Todd Purdum, although unlike C.J. and Danny, Meyers and Purdum never dated until after Myers left the White House. The same article also revealed that Josh and Donna's relationship was also based upon real White House staffers, albeit ones who never dated. See more »
Episode 4.02, Twenty Hours in America Part II, Donna, Josh an Toby are soaking wet when the go into the hotel, but in the next shot, when Toby an Josh have crossed the lobby they and their clothes are completely dry. See more »
[still new to the White House, Josh can't find his desk]
I'll just walk around some more and see if I can get into a pick-up meeting.
See more »
The special post-9/11 episode was broadcast without the regular opening credits. Instead, the episode began with the cast, out of character, speaking about the episode, followed by credits on a black screen. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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