Casey McCall and Dan Rydell are sports anchors and best friends. At "Sports Night", their nightly cable program, the two display their unique talent and skills in reporting up-to-the-minute... See full summary »
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
When the erudite Democrat Josiah "Jed" Bartlet is elected U.S. president, he installs his administration. He places confidants from his electoral campaigns in the White House. Each of these people play a significant role in the Washington power game: the Chief of Staff (Leo McGarry), his deputy (Josh Lyman), Communications Director (Toby Ziegler), deputy (Sam Seaborn, and later, Will Bailey), and press secretary (CJ Cregg). Also in key positions are the assistants of each of the power players. We follow these people through many political battles, as well as some personal ones. Also playing roles are the First Lady (Abigail Bartlet), the President's daughters (Elizabeth, Eleanor, and Zoey), and the personal aide to the President (Charlie Young). All make this series, which supposedly follows the political events (often paraphrasing historical reality) almost day by day, more than merely a political soap. The demands of office on each character show the personal sacrifice and the ... Written by
Aaron Sorkin resigned from his job as writer and executive producer after the fourth season following a protracted dispute with NBC executive Jeff Zucker. See more »
Secret Service code names for the First Family always begin with the same letter (for example, the Obama family code names are Renegade, Renaissance, Radiance, and Rosebud), which means that if President Bartlet's code name was Eagle, Zoey's would not have been Bookbag. Her code name would have begun with the letter E as well. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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