Casey McCall and Dan Rydell are sports anchors and best friends. At "Sports Night", their nightly cable program, the two display their unique talent and skills in reporting up-to-the-minute... See full summary »
When the erudite Democrat Josiah "Jed" Bartlet is elected U.S. president, he installs his administration. He places confidants from his electoral campaigns in the White House. Each of these people play a significant role in the Washington power game: the Chief of Staff (Leo McGarry), his deputy (Josh Lyman), Communications Director (Toby Ziegler), deputy (Sam Seaborn, and later, Will Bailey), and press secretary (CJ Cregg). Also in key positions are the assistants of each of the power players. We follow these people through many political battles, as well as some personal ones. Also playing roles are the First Lady (Abigail Bartlet), the President's daughters (Elizabeth, Eleanor, and Zoey), and the personal aide to the President (Charlie Young). All make this series, which supposedly follows the political events (often paraphrasing historical reality) almost day by day, more than merely a political soap. The demands of office on each character show the personal sacrifice and the ... Written by
Janel Moloney was never supposed to be a regular. Co-star Bradley Whitford pointed out the obvious chemistry between the characters of Josh and Donna, and Aaron Sorkin agreed. Nevertheless, Moloney was credited as a guest star for the entire first season. The first time her name appears in the opening credits is in Episode 2.1 "In The Shadow of Two Gunmen, Part I." To the horror of her father, in particular, her last name was misspelled; this was subsequently corrected. See more »
In several episodes they reference Myanmar. In fact, the US along with most western governments do not recognise the name change and still call it Burma. Various Government sites including the CIA Factbook confirm this. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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