Cutthroat presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
The theme music for "Capitol Beat", the news show hosted by Ted McGinley, is actually the theme music for the UK's Independent Television News (ITN)'s News At Ten/Night Time News bulletin, a genuine and award-winning news program. The theme is a short passage taken from a piece by Johnny Pearson called "The Awakening", itself part of a longer composition called "20th Century Portrait". See more »
Members of the US Secret Service Uniformed Division (White House police officers) do not wear their uniform hats when inside a building. See more »
Sen. Arnold Vinick:
[closing remarks at Republican Convention]
My commitment to strive to be worthy of the example of the great men who have gone before. Presidents walk in giant footsteps. They have magnificent legacies to uphold. I stand here on this day and put my name forth, as one who aspires to their example, who will daily make that sacrifice, who will honor not just the office, but the people that office serves. *Their* President of these United States of America.
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Episode titles are usually the first thing shown on screen (after recaps). This is one of the only American series to show episode titles before its opening credits. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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