Roger uses his son Igor to ruthlessly traffic and exploit undocumented immigrants. When one of the immigrants is killed, Igor is guilt-ridden and wants to care for the dead man's family against his father's orders.
Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.
At nightfall, a four-engine aircraft landed at an airport. Only one passenger goes down, Joe, the last survivor of the Jewish family Falsch. He has left Berlin for forty years, in 1938. In ... See full summary »
The first scene, like almost all others, is a fighting scene. A girl, about 18, is sacked from her factory work because her trial period is over. The girl, Rosetta, is quite upset and the cops will have to arrive to get her out. She has her reasons: she lives in a caravan, with her alcoholic mother. She goes looking for work as some go to the war. Treasons, murders are in her mind, if not in her acts. Written by
Gregoire Dubost <Gregoire.firstname.lastname@example.org>
Your name is Rosetta. My name is Rosetta. You found a job. I found a job. You've got a friend. I've got a friend. You have a normal life. I have a normal life. You won't fall in a rut. I won't fall in a rut. Good night. Good night.
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An example of a true drama, as opposed to a melodrama (Saving Private Ryan is a popular example of a melodrama that passes itself off as a drama). It's been a few years since I've seen it, so I'm fuzzy on the names, but the finest scene in the movie occurs as Rosetta serves customers at a kind of snack food stand. She had just recently 'stole' the job from her only friend in the film. Customer after customer is served, as we wait in suspense for a certain person to arrive--the very man who's job she took. He arrives...off-screen (!), but we know exactly who it is. The camera painfully lingers on Rosetta as we beg for it to pan right, or (even better) to look away. Excellent.
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