Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Igor and his father, Roger, are making a decent living renting apartments to illegal immigrants and sometimes working them illegally (among other scams). But when the building inspector ... See full summary »
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
The first scene, like almost all others, is a fighting scene. A girl, about 18, is sacked from her factory work because her trial period is over. The girl, Rosetta, is quite upset and the cops will have to arrive to get her out. She has her reasons: she lives in a caravan, with her alcoholic mother. She goes looking for work as some go to the war. Treasons, murders are in her mind, if not in her acts. Written by
Gregoire Dubost <Gregoire.email@example.com>
Your name is Rosetta. My name is Rosetta. You found a job. I found a job. You've got a friend. I've got a friend. You have a normal life. I have a normal life. You won't fall in a rut. I won't fall in a rut. Good night. Good night.
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The test of some performances is how much empathy you feel for an exasperating character you would normally not care for. The actress Emilie Dequenne, especially in the final scene of "Rosetta," really makes you glimpse why desperation drives some people to do the things they do -- although you may not totally understand. All the disgust and anger you feel toward her evaporates when you glimpse the soul of the character through her face.
She does not know how to lift herself out of her circumstances. Does she grow as a person or remain trapped like an animal? You hope that her decision to leave the prize was made out of remorse for the betrayal of a friend. After the sudden ending, you pray she gets a new attitude and finds a way out.
But I don't think she will. The character is caught like a bird flapping around a cage and can't get out of the film's stoic vision.
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