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Rosetta (1999)

7.5
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Ratings: 7.5/10 from 7,416 users   Metascore: 76/100
Reviews: 84 user | 83 critic | 19 from Metacritic.com

Young and impulsive Rosetta lives with her alcoholic mother and, moved by despair, she will do anything to maintain a job.

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Title: Rosetta (1999)

Rosetta (1999) on IMDb 7.5/10

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9 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Riquet
Anne Yernaux ...
The Mother
...
The Boss
Bernard Marbaix ...
The Campgrounds Manager
Frédéric Bodson ...
The Head of Personnel
Florian Delain ...
The Boss's Son
Christiane Dorval ...
First Saleswoman
Mireille Bailly ...
Second Saleswoman
Thomas Gollas ...
The Mother's Boyfriend
Leon Michaux ...
First Policeman (as Léon Michaux)
Victor Marit ...
Second Policeman
Colette Regibeau ...
Madame Riga
Claire Tefnin ...
Girl in Locker Room
Sophia Leboutte ...
Fired Woman
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Storyline

The first scene, like almost all others, is a fighting scene. A girl, about 18, is sacked from her factory work because her trial period is over. The girl, Rosetta, is quite upset and the cops will have to arrive to get her out. She has her reasons: she lives in a caravan, with her alcoholic mother. She goes looking for work as some go to the war. Treasons, murders are in her mind, if not in her acts. Written by Gregoire Dubost <Gregoire.dubost@polytechnique.org>

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

22 September 1999 (Belgium)  »

Also Known As:

Розетта  »

Filming Locations:

 »

Box Office

Opening Weekend:

$20,187 (USA) (5 November 1999)

Gross:

$261,475 (USA) (28 January 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Quotes

Rosetta: Your name is Rosetta. My name is Rosetta. You found a job. I found a job. You've got a friend. I've got a friend. You have a normal life. I have a normal life. You won't fall in a rut. I won't fall in a rut. Good night. Good night.
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Connections

Featured in The Story of Film: An Odyssey: Episode #1.13 (2011) See more »

Soundtracks

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User Reviews

 
No DVD release in the U.S.
16 May 2005 | by (Trinidad, CO) – See all my reviews

This small Belgian film was the unexpected winner of the Palme d'Or at Cannes during the year when David Cronenberg and his panel of contrarians ruled. Because other, more popular films ("All About My Mother," "L'Humanité," "The Straight Story") were passed over, "Rosetta" has received a reputation as an undeserved winner. I am here to proclaim it a great film and a worthy addition to anyone's Best list. I have not researched whether or not the director of "Rosetta" set out adhere to Dogma 93 principles, but many of them are present – no movie makeup, natural light, natural locations, no soundtrack music, and hand held cameras. The camera follows one person – the title character – so that just about every shot is either of her or from her point of view. Rosetta lives with her alcoholic prostitute mother in a camping trailer at a run down campground called The Grand Canyon. She is in her late teens, doesn't have any friends (except one she meets during the course of the story) or even communicates much with other people, and is only interested in getting a regular job and living a normal life. In a remarkable episode, we see her in bed just before going to sleep. She is having a conversation with herself that goes, "You have a job. I have a job. You have a friend. I have a friend. You have a normal life. I have a normal life. Good night. Good night." Rosetta is played by Émilie Dequenne (who won Best Actress at Cannes). She is so good, so natural, so much *Rosetta* that, along with the photographic technique, she gives the material a documentary feel. One reviewer even called her a "non-actor" as if she were not a professional actress (this is her first movie role) and had been picked right out of that campground to play her own life. The film goes by quickly even as the plot unfolds slowly. We follow Rosetta as she travels her city by foot and bus looking for work, catching fish to eat from an urban river, and tentatively letting one other person into her routines. Sometimes character motivation may seem murky, but it is a thrill, later, when you realize what was really going on. If I remember correctly, there is only one brief dialog exchange near the end where one person explains plot points to another for the audience's benefit. The ending is a tender moment that may indicate a new stage in Rosetta growth. Highly recommended. A beautiful and deeply felt film.


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