One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he ... See full summary »
Jonathan Taylor Thomas,
Leah is eager to visit her uncle's ranch in Ireland, until her attempt to ride her cold cousin Shannon's horse results in Silky's being injured, and her ordered not to ride again. When she ... See full summary »
While Pincchio's creator-'daddy' Gepetto is ill in bed, the rascal and mate visit the circus. There cross-dressing freak-show boss Lorenzini 'Madame Flambeau' ends up selling them an elixir as 'cure', which actually enables him to recruit the debtors as his freak acts. Written by
To say this is a silly movie is an understatement. The premise, that Gepetto is now turned into a puppet, has a great deal of promise, in that it could have explored the mirror images, so to speak, of the poignant emotions that have made Collodi's original tale immortal. Sadly, none of this occurs. Instead, every millimeter of depth is drained, leaving only an insipid story of a boy and man who seem less real than the puppets they sometimes occupy. Gabriel Thomson, in the title role, comes across as trying very hard to rescue anything he can out of this part, which must have felt pretty humiliating right after "Pip" of "Great Expectations." He showed much more what he was capable of in "Enemy at the Gates" (2001), and then went on to a TV series. I suppose the very young might find a few laughs in this "Pinocchio," but if you're looking for a further lesson in life or what constitutes being human, you won't find it here.
5 of 9 people found this review helpful.
Was this review helpful to you?