Ichi seeks out on a pilgrimage to 81 temples, exploring spirituality to atone for his bloody past. On the way, Ichi stumbles into a village that's being bullied by a violent Yakuza boss and... See full summary »
Ichi seeks out on a pilgrimage to 81 temples, exploring spirituality to atone for his bloody past. On the way, Ichi stumbles into a village that's being bullied by a violent Yakuza boss and his henchmen. After killing a young, hired assassin, Ichi is led back to the young man's village by his peculiar horse. Upon learning that her brother is dead, Okichi (Yasuda Michiyo) grabs a sword and attacks Ichi, either in an attempt to avenge her brother or in an attempt to commit suicide by forcing Ichi to defend himself. After injuring Ichi, Okichi tends to his wounds, nurses him back to health, and begins to have feelings for him. The Yakuza boss still wants Ichi dead in order to take over the village and now Ichi alone must deal with the boss and his gang, the young woman's feelings and a village full of cowards, who will not stand up for themselves! Written by
Thirty seven years later Michiyo Ôkusu who played Kichi, Zatoichi's love interest in this film, was cast in the role of Aunt Oume, the lady who gave Zatoichi a place to stay, in Takeshi Kitano's award winning remake Zatoichi (2003). The role earned her a 2004 'Award of the Japanese Academy' nomination for 'Best Supporting Actress'. See more »
Kichi goes swimming, apparently naked, in a lake, but she can be seen through the water wearing a swimsuit. See more »
The general standard for Zatoichi films is fairly high - though you can expect the same motifs and themes from one movie to the next. Zatoichi's Pilgrimage brings the series to a new level. Our blind swordsman (Kintaro Katsu) is troubled by his violent past, and vows to visit a circuit of shrines until the gods give him an answer to his spiritual quest. This quest brings him into contact with a group of brigands who all but rule the area, and he's left with little choice but to reassess his spiritual quest.
The screenplay is especially intriguing. Zatoichi's pilgrimage begins as a sea voyage, and the water theme repeatedly makes its way into the plot. In the hope of realizing his quest, a rider- less horse follows the blind swordsman to where he's most needed - suggesting that Zatoichi may have already found his destiny. An assured storytelling makes this one of the more satisfying of the long series.
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