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IMDb > El náufrago de la Calle Providencia (1971)

El náufrago de la Calle Providencia (1971) More at IMDbPro »


Overview

User Rating:
5.8/10   74 votes
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Contact:
View company contact information for El náufrago de la Calle Providencia on IMDbPro.
Release Date:
14 May 1971 (Mexico) more
Genre:
Documentary | Short
Plot:
Friends of Luis Buñuel discuss the director while Buñuel mixes drinks and entertains friends in his home. | add synopsis
User Comments:
Snippets of the Life of Bunuel more

Cast

  (Credited cast)
Gustavo Alatriste ... Himself
Julio Alejandro ... Himself
Max Aub ... Himself
Luis Buñuel ... Himself
Carlos Fuentes ... Himself
Lilia Prado ... Herself
Carlos Savage ... Himself
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Additional Details

Also Known As:
The Castaway on the Street of Providence (USA) (literal English title)
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Runtime:
50 min | USA:24 min
Country:
Mexico
Language:
Spanish
Sound Mix:
Mono

Fun Stuff

Movie Connections:
References Ensayo de un crimen (1955) more

FAQ

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0 out of 2 people found the following comment useful:-
Snippets of the Life of Bunuel, 25 August 2006
5/10
Author: Ivanhoe Vargas (rangonin@aol.com) from Jersey City, NJ

*** This comment may contain spoilers ***

EL NAUFRAGO DE LA CALLE PROVIDENCIA could have been a better documentary, but it sort of falls flat on its face in its commentators trying to elaborate a bit much on how they came to know Luis Bunuel, and their relationship with him over the years. Poorly filmed, it has short scenes that lead nowhere, as when Bunuel's wife Jeanne makes her entrance early on in the documentary, walks through their library, and exits, looking pensive. It brings nothing to the short, as she also says rather little, and too much emphasis is made on Bunuel's drink of his own name, "El Bunuelino." Lilia Prado, despite looking like she's going out to a disco with huge hair and a mini, has some endearing things to say about Bunuel, but Gustavo Alatriste comes off quite pompous in his self-promoting chatter of how he backed Bunuel up financially when he was faced with going back to Spain and filming what became VIRIDIANA for Franco. True, he may have had the money, but I believe he didn't need to flaunt it that much because it comes off as if he were trying to make himself seem more important, but again, Latin culture is highly descriptive -- almost to poetic lengths -- when telling such stories, and it's just part of the personality of the culture to have the teller somehow include himself in his or her recollections. Featured in the DVD version of LE CHARME DISCRET DE LA BOURGEOISIE alongside the much better documentary, A PROPOSITO DE BUNUEL.

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