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Directed by | |||
| Jane Campion | |||
Writing credits | ||
| Jane Campion | (screenplay) & | |
| Susanna Moore | (screenplay) | |
| Susanna Moore | (novel) | |
| Stavros Kazantzidis | additional writer | |
Produced by | |||
| Ray Angelic | .... | associate producer | |
| Effie Brown | .... | executive producer (as Effie T. Brown) | |
| François Ivernel | .... | executive producer | |
| Nicole Kidman | .... | producer | |
| Laurie Parker | .... | producer | |
Original Music by | |||
| Hilmar Örn Hilmarsson | |||
Cinematography by | |||
| Dion Beebe | |||
Film Editing by | |||
| Alexandre de Franceschi | (as Alexandre De Franceschi) | ||
Casting by | |||
| Kerry Barden | |||
| Mark Bennett | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| David Brisbin | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Andrew Baseman | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Rose Chatterton | .... | assistant hair stylist | |
| Lori Guidroz | .... | key hair stylist | |
| Neal Martz | .... | key makeup artist | |
| Neal Martz | .... | special makeup effects artist | |
| Sacred Schneidmiller | .... | special makeup effects artist | |
| Noriko Watanabe | .... | makeup designer | |
Production Management | |||
| Joane Baptiste | .... | assistant production manager | |
| Gordon MacPhail | .... | post-production supervisor | |
Art Department | |||
| James J. Archer | .... | set dresser (as Jimmy Archer) | |
| Robert Barnett | .... | camera scenic artist | |
| Stephen Barth | .... | journeyman scenic (as Steve Barth) | |
| Nils Benson | .... | graphic designer | |
| James Boniece | .... | construction grip | |
| Daniel Boxer | .... | property master (as Dan Boxer) | |
| Eric Bryant | .... | art department assistant | |
| Frances Catalano | .... | best boy construction grip (as Francis L. Catalano) | |
| Joan Finley | .... | set dresser (as Joan Finlay) | |
| Gerard Fiore | .... | construction grip (as Gerard J. Fiore) | |
| Brian Friedman | .... | art intern | |
| Steven Gamiello | .... | set dresser (as Steve Gamiello) | |
| Jonathan Graham | .... | key construction grip | |
| James Hoff | .... | journeyman scenic | |
| Tim Jackson | .... | greens person | |
| Miguel Jimenez | .... | stage construction electrician | |
| Roberto Jiménez | .... | key construction electric (as Roberto Jimenez) | |
| Dierdre Kane | .... | assistant property master | |
| Lisa Kennedy | .... | journeyman scenic | |
| Ricky King | .... | construction production assistant (as Rick King) | |
| Gordon Krause | .... | key shop craftsman | |
| Rob Landoll | .... | scenic shop person | |
| Loren Levy | .... | set dresser | |
| Jim Lillis | .... | set dresser | |
| Elizabeth Linn | .... | charge scenic | |
| James Maiello | .... | shop craftsman (as James A. Maiello) | |
| Addy McClelland | .... | art department coordinator | |
| Rebecca Meis DeMarco | .... | shopper (as Becca De Marco) | |
| Nick Miller | .... | construction coordinator | |
| Don Nace | .... | scenic foreman (as Don 'Happy' Nace) | |
| Dana Neuwirth | .... | on-set dresser | |
| Michael O'Dell Green | .... | journeyman scenic (as Michael Green) | |
| Morgan Pitts | .... | assistant property master | |
| Mike Platarote Jr. | .... | set dresser | |
| James Sadek | .... | shop craftsman foreman | |
| Amy Safhay | .... | head greensman | |
| Elliot Schimel | .... | construction production assistant (as Elliot Schimmel) | |
| Elaine Schindler | .... | journeyman scenic | |
| Klaus Schreiber | .... | construction grip | |
| Beth Solin | .... | journeyman scenic | |
| Bruce Swanson | .... | set dresser | |
| Dick Tice | .... | lead man | |
| Ray Tintori | .... | art intern | |
| Andrew M. Velechenko | .... | shop craftsman (as Andrew Velenchenko) | |
| Inbal Weinberg | .... | art intern | |
Sound Department | |||
| Brian Basham | .... | adr recordist | |
| Ron Bedrosian | .... | adr mixer | |
| Nick Breslin | .... | dialogue editor | |
| Benjamin Cheah | .... | sound effects recordist | |
| Mark DeSimone | .... | adr mixer | |
| Jeanne Gilliland | .... | additional boom operator | |
| Dino Herrmann | .... | sound recordist | |
| Ken Ishii | .... | production sound mixer | |
| Michael McMenomy | .... | sound department intern | |
| Peter Miller | .... | sound designer | |
| Linda Murdoch | .... | dialogue editor | |
| Martin Oswin | .... | sound re-recording mixer | |
| Andrew Plain | .... | sound supervisor | |
| Jeff Pullman | .... | additional boom operator | |
| Schavaria Reeves | .... | boom operator | |
| Blair Slater | .... | foley supervisor | |
| Mario Vaccaro | .... | foley artist | |
| Mark Ward | .... | sound effects editor | |
| Andy Wright | .... | assistant re-recording mixer | |
| Marc Hayes | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Drew Jiritano | .... | special effects supervisor | |
| Neil Ruddy | .... | special effects technician | |
Visual Effects by | |||
| Andy Brown | .... | visual effects supervisor | |
| Jonathan Dixon | .... | digital liaison | |
| Sarah Dowland | .... | visual effects producer | |
| Rebecca Dunn | .... | digital compositor | |
| Ben Malter | .... | digital artist | |
| Murray Pope | .... | visual effects executive producer | |
| Dane Rapaport | .... | systems administrator | |
| Robert Sandeman | .... | digital effects supervisor | |
| Anthos Simon | .... | digital effects producer | |
| Robert Sullivan | .... | video operations supervisor: Animal Logic | |
| Sandeep Vengsarkar | .... | digital compositor | |
| Henry Yekanians | .... | scanning and recording | |
| Ben O'Brien | .... | digital compositor (uncredited) | |
Stunts | |||
| Ray Abbott | .... | stunt driver | |
| Jeff Galpin | .... | stunt driver | |
| Julius LeFlore | .... | stunt coordinator (as Julius Le Flore) | |
| Tina Mckissick | .... | stunt driver | |
| Lucas Pena | .... | stunt driver | |
| Jodi Michelle Pynn | .... | stunt double: Frannie | |
| Jimmy P. Wong | .... | stunt driver (as Jimmy Wong) | |
| Amy Yanagisawa | .... | stunt driver (as Amy Yanagiasawa) | |
| Peter Epstein | .... | stunts (uncredited) | |
Casting Department | |||
| Lori Eastside | .... | extras casting | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Laura Downing | .... | wardrobe supervisor | |
| Chrystaline Gain | .... | wardrobe department intern | |
| Camille Loftus | .... | wardrobe department intern | |
| Frederica Nascimento | .... | wardrobe department intern | |
| Rosa Navarra | .... | wardrobe department intern | |
| Claire Pacacha | .... | wardrobe department intern | |
| Alexis Scott | .... | assistant costume designer | |
| Robert Teszar | .... | wardrobe supervisor (as Robert Tesar) | |
| Mitsuno Yokoo | .... | seamstress | |
Editorial Department | |||
| Rodrigo Balart | .... | first assistant editor | |
| Greg Chapman | .... | negative matcher | |
| Olivier Fontenay | .... | color grader | |
| Lara Ford | .... | editorial coordinator | |
| Leili Gueranfar | .... | editorial intern | |
| David Hollingsworth | .... | telecine colorist | |
| Katie Mcquerrey | .... | first assistant editor: New York City | |
Music Department | |||
| Burt Bacharach | .... | composer: song "The Look of Love" | |
| Kjartan Kjartansson | .... | music editor | |
| Laurie Parker | .... | music supervisor | |
| Julie Pearce | .... | music editor | |
| Amanda Street | .... | music consultant | |
Transportation Department | |||
| Mike Easter | .... | transportation co-captain | |
| Kenny Gaskins | .... | transportation captain | |
| Bobby Marsh | .... | driver | |
Other crew | |||
| Julie Adams | .... | dialect consultant: Ms. Meg Ryan | |
| Leslie Adler | .... | assistant: Meg Ryan | |
| Penelope Allen | .... | creative consultant | |
| Tara Andrus | .... | production secretary | |
| Laura Lynn Baker | .... | set production assistant | |
| Joane Baptiste | .... | assistant production coordinator | |
| Andrew Baseman | .... | office assistant | |
| Susan Batson | .... | creative consultant | |
| Kevin Berman | .... | consultant | |
| Keith Bethea | .... | set production assistant | |
| Louis Brown | .... | creative consultant | |
| Stacey Burgay | .... | office production assistant | |
| Michael Chenevert | .... | set production assistant | |
| Mary Cybulski | .... | script supervisor | |
| Cherien Dabis | .... | assistant to producer | |
| Michael De Lorenzo | .... | creative consultant (as Det. Michael De Lorenzo) | |
| Antonio Ferrera | .... | creative consultant | |
| John B. Finn | .... | post-production accountant | |
| Carl Ford | .... | creative consultant | |
| Kathryn C. Galberth | .... | production assistant | |
| Daniel Garrison | .... | set production assistant | |
| Nick Gehling | .... | set intern | |
| Tim Gehling | .... | set production assistant | |
| Cristina Goldstein | .... | assistant to executive producer | |
| Joshua Green | .... | creative consultant | |
| Sean Hogan | .... | production accountant | |
| Meera Lawrence | .... | assistant to director | |
| Robert A. Levine | .... | unit publicist | |
| Sam Lisenco | .... | pre-production coordinator | |
| M.J. Magbanua | .... | production coordinator | |
| Chris Marsh | .... | assistant location manager | |
| Steve McAuliff | .... | animal wrangler | |
| Patrick McDonald | .... | key set production assistant | |
| Paola Morabito | .... | assistant to director | |
| Jorge Muniz | .... | creative consultant | |
| Frank Murray | .... | assistant accountant | |
| Arthur J. Nascarella | .... | creative consultant (as Det. Arthur Nascarella) | |
| Valerie Nolan | .... | office production assistant | |
| Currie Person | .... | location assistant | |
| Griz Pomirska | .... | assistant to director | |
| M.J. Robinson | .... | creative consultant | |
| Gregory Routt | .... | location supervisor (as Greg Routt) | |
| Henri Sann | .... | set production assistant | |
| Elliot Schimel | .... | production assistant | |
| Sandra Seacat | .... | creative consultant | |
| Hal Sherman | .... | creative consultant (as Det. Hal Sherman) | |
| Colin Snapp | .... | set intern | |
| Daniel Tresca | .... | location assistant (as Dan Tresca) | |
| Mimi Turner | .... | location scout | |
| Gayle Vangrofsky | .... | location manager | |
| Anthony Velasquez | .... | creative consultant | |
| Elizabeth Verghese | .... | post-production accountant | |
| Roberta Wallach | .... | creative consultant | |
| Jane L. Watson | .... | set production assistant | |
| Craig Weinberg | .... | creative consultant (as Det. Craig Weinberg) | |
| Susanna Wyatt | .... | head of physical production: Pathé Pictures | |
| Michael K. Reynolds | .... | chef (uncredited) | |
Thanks | |||
| Kevin Bacon | .... | thanks (as Kevin Bacon III) | |
| Harvey Keitel | .... | thanks (as 'Mayor' Harvey Keitel) | |
| Nicole Landaw | .... | thanks | |
| Gwyneth Paltrow | .... | thanks | |
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| American Psycho | The Basketball Diaries | Torso | Basic Instinct | Black Belly of the Tarantula |
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| Full cast and crew | Company credits | External reviews |
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Deary me, some people get upset when a film isn't what they want it to be, don't they? How dare the film be what the film-makers set out to make, instead of what someone's narrow expectations dictate it should b?
Fancy In the Cut being gritty, seamy, sexy and deeply disturbing ... just like all the publicity (and the rating) warned us it would be. What a shock. How did the people expecting another Piano, or Meg Ryan Finds True Love Yet Again ever find themselves in the cinema?
As for those who have said they have walked out completely unmoved ... either they must be aliens or robots, or are fooling themselves, not wanting to acknowledge the truth of what they've seen on the screen. Seldom have I seen a film that so truly examines the dark side of our sexual impulses. I walked out quite shattered, and wandered around in a daze for a while.
Meg Ryan completely miscast? Ridiculous and insulting. How dare you tell an actress she has to be Little Mary Sunshine for the rest of her life. And she pulls it off brilliantly. She and Mark Ruffalo give the most stunning lead performances for a long time. Why? Because they're playing real, multi-layered people. Not goody-goodies or baddy-baddies.
Didn't like any of the characters? Must have a very limited range of acquaintances, or alternatively, don't like the real people you do know.
Thriller plot not thrilling? Admittedly it's not the strongest point in the film, but it has all the required shocks and surprises (and, you'd think enough gore for the modern audience), and while the revelation of the murderer is not the biggest twist ending ever, the final shot takes your breath away.
And anyway, Campion, while handling the thriller genre competently, is using it as a means to explore sexuality. And attraction. And how much of love involves physicality, carnality, trust, the desire to dominate, the desire to be dominated, and above all, the attraction of the DANGEROUS. Yes, adult stuff, not often tackled in mainstream films.
I think it's her best film ever (possibly excepting Sweetie), and I give it 9 out of 10.