While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho ... See full summary »
Based solely on a tea leaf reading, superstitious and introspective Kay believes she and Louis are destined to fall in love with each other, he who she is able to convince of the same ... See full summary »
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
Dexter Cornell, an English Professor becomes embroiled in a series of murders involving people around him. Dexter has good reason to want to find the murderer but hasn't much time. He finds... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
An airline pilot and his wife are forced to face the consequences of her alcoholism when her addictions threaten her life and their daughter's safety. While the woman enters detox, her husband must face the truth of his enabling behavior.
Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City--as if to test the limits of her own safety--propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact--and about her own. Written by
The lines, "Oh what can ail thee, knight-at-arms, Alone and palely loitering?...", are from "La Belle Dane Sans Merci" by John Keats. See more »
After Frannie and Malloy's first intimate encounter, Malloy is dressing as Frannie realizes she has lost one of the charms from her bracelet. Malloy is buttoning his shirt and working on putting on his tie. When he turns to help Frannie look in the bed, his shirt and tie are on perfectly. Yet the next shot has him again adjusting the shirt & tie with the collar up. See more »
What does "broccoli" mean"?
Depends on the context. Pubic hair or marijuana. It's a noun.
Vagina. As in, "He penetrated her Virginia with a hammer".
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There is a typo in the credits - 'transportation' is spelt 'tranportation' (missing the 's') See more »
Campion always impresses. Do not go into this film seeking a tightly woven suspense thriller. This film deals more of what happens when a woman is continuously victimized by the idea of true love and the world it places her in. Meg Ryan? I gave her the benefit of the doubt. It paid off. She is marvelous. Her character is enigmatic and sexy. The fact that they washed away her Hollywood image delighted me. Her sexual demands are tastefully perverted. Mark Ruffalo? His primitive macho cop demeanor plays well for Ryan's repressed desire to have sexual fulfillment. Why does sex effect so many of us? Why not just tell us all about it as children. We're not stupid. Just tell us the truth.
Ryan's character has lost connection to the world. Her wisdom and insight comes from banner poems on public transport. Ryan displays an inner coolness that I find attractive. She does not respond to silly questions and reacts slightly to incredible events such as being hit by a car. She is in her own world of thought lost in an idealistic vision of happiness and love but lives her reality in perverted surroundings and grime. The people in her life all seem to be disconnected.
There is a serial killer on the loose and Ryan's interaction with him is hauntingly chilling while at the same time beautifully shot. There is a mystery as to whom he might be. The riddle was of minor concern. I was more fascinated watching Ryan's character. The film is filled with fabulous shots. Highly stylized. Several closeups of Meg Ryan's world. The film drags a bit and lingers into the unknown at times just as the protagonist Ryan.
It has moments of beauty that is rarely seen on the screen in this day and age. I give this film a 10.
Victor Nunnally BFA Dramatic History and Theory BFA Film Theory and Production
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