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In the Cut (2003)

5.3
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Ratings: 5.3/10 from 17,219 users   Metascore: 46/100
Reviews: 351 user | 133 critic | 38 from Metacritic.com

A New York writing professor, Frannie Avery (Ryan), has an erotic affair with a police detective (Ruffalo) investigating a murder in her neighborhood of a beautiful young woman...

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Cast

Cast overview, first billed only:
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Frannie's Young Father (as Micheal Nuccio)
Allison Nega ...
Young Father's Fiancee (as Alison Nega)
Dominick Aries ...
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Sharrieff Pugh ...
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Daniel T. Booth ...
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Zach Wegner ...
Frannie's Student (as Zack Wegner)
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Storyline

Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City--as if to test the limits of her own safety--propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact--and about her own. Written by MooVe <Man@aol.com>

Plot Summary | Plot Synopsis

Taglines:

Everything you know about desire is dead wrong.

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexuality including explicit dialogue, nudity, graphic crime scenes and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

31 October 2003 (USA)  »

Also Known As:

En carne viva  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$239,152 (Japan) (2 April 2004)

Gross:

$239,152 (Japan) (2 April 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The costume department bought the entire wardrobe from the production remains of The Job (2001), a recently canceled TV show, for $400. See more »

Goofs

In the final scene, when Frannie is walking home from the lighthouse after escaping the killer, she is barefoot. When she reaches the garden of her apartment building, she is wearing sandals. When she reaches her apartment, she's barefoot again. See more »

Quotes

[first lines]
Pauline: What does "broccoli" mean"?
Frannie: Depends on the context. Pubic hair or marijuana. It's a noun.
Pauline: And "Virginia"?
Frannie: Vagina. As in, "He penetrated her Virginia with a hammer".
See more »

Crazy Credits

There is a typo in the credits - 'transportation' is spelt 'tranportation' (missing the 's') See more »

Connections

Referenced in At the Movies: Summer Special 2009/10 (2009) See more »

Soundtracks

Show Me The Way To Your Heart
Written & Performed by Lucinda Peters
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Cut Above
7 November 2004 | by (United States) – See all my reviews

Meg Ryan gives what may well be the breakthrough performance of her career in 'In the Cut,' a violent, erotic thriller from maverick filmmaker Jane Campion. Ryan plays Frannie, a college English instructor who is instinctively drawn to the seamier side of life. When women in her Manhattan neighborhood start falling victim to a grizzly serial killer, Frannie, as a possible witness, becomes a prime source of interest, both professionally and personally, for a homicide detective named Malloy, who has some troubling sexual proclivities of his own to deal with. Attracted by his edgy darkness and smoldering sexuality, Frannie succumbs to his advances, fully cognizant of the possible danger he represents. Is the law enforcement official as much of a threat to this young woman as the psychopath going about town decapitating and dismembering the local ladies? It is this kind of moral ambiguity that informs the entire movie.

From the very outset, Campion makes it clear that we are not in for a conventional police procedural. She is obviously more interested in character and mood than in the niceties of a well-oiled plot and streamlined exposition. Frannie is far from being the helpless victim or plucky heroine one usually finds at the center of such tales; she is a complex, moody, taciturn woman who seems to be drifting passively through life, with little passion, conviction or purpose to make any of it worthwhile. Even when it comes to her sexual obsessions, it often feels as if she is just going through the motions. It is hard for us to get a bead on her, for she is a perfect reflection of the world she inhabits, a world without a clear moral compass - so much so that we often don't know what we are supposed to think of her or the other people with whom she comes in contact. The script plays up the sense of dislocation by having characters appear and disappear seemingly at random throughout the movie, sometimes serving as little more than red herrings for both the story and Frannie's life. This often makes it so that we in the audience feel clueless as to where exactly the film is headed and what the overall purpose of it really is. It's often hard for us to get our bearings, yet, it is this very ambiguity, this sense of being rudderless and confused, that lifts the film above the tired conventions of the genre. In fact, the film is at its weakest when it concentrates on the intricacies of the plot - the resolution is remarkably mundane - and at its strongest when it merely records the eccentricities and passions of its two enigmatic characters.

The sexual content of the film is highly charged but not overtly offensive, with one glaring exception, at least in the 'unrated' version (I assume this does not apply to the version released to theaters). Early in the film, we are treated to a graphic, hard core close-up of an act of fellatio that clearly is not simulated. Consider yourself forewarned.

Ryan has never been better than she is here. She plays Frannie almost as if she were one of the urban walking dead, just right for a modern woman who feels no real emotional connection with the world and the people around her.

Mark Ruffalo is excellent as the cop who may be more of a threat to Frannie than the killer who's terrorizing the area. Almost as an afterthought, Kevin Bacon makes little more than a cameo appearance, overacting in the role of Frannie's stalker ex-boyfriend.

'In the Cut' is a subtle little mood piece that is more about observing behavior than it is about searching for a killer. Those looking for an intensely plotted thriller may not be as intrigued by this film as those searching for a psychosexual character study. It's the atmosphere and the performances that count in this film.


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Mark Ruffalo is soooo hot in this movie tabitharice
Very Underated... davidkr123
nicole kid... i mean meg ryan .. afbm
OMG Meg Ryan gets naked! pug32
Malloy could still be the killer in the end? mesaydayo
This movie made me feel guilty for being male......... ludde05
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