While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho ... See full summary »
Based solely on a tea leaf reading, superstitious and introspective Kay believes she and Louis are destined to fall in love with each other, he who she is able to convince of the same ... See full summary »
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
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In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education ... See full summary »
Frannie Avery is a New York City inner city high school English teacher, whose passion is collecting words and phrases that interest her, either because of their meaning and/or just because of the way they sound. The way that she and her paternal half sister Pauline Avery, her closest confidante, deal with men and sex has largely been affected by their father, who is working on marrying wife number five. Frannie thinks about sex more than she has it. Her lack of a sex life is further exacerbated by being the object of obsession of James Graham, a man with who she had a few casual dates and two sexual encounters, which has made her even more cautious. This complete experience is why she has a somewhat inappropriate, albeit non-sexual relationship with Cornelius Webb, one of her students. She eventually embarks on a sexual relationship with NYPD Homicide Detective Giovanni Malloy, who, along with his partner Detective Ritchie Rodriguez, are investigating the murder of a young woman, ... Written by
Nicole Kidman turned down the role of Frannie because at the time she was going through her divorce from Tom Cruise. She thought the role would have been too emotionally draining. She does however take a co-producing credit. See more »
Towards the end of the movie as Frannie is taken to the lighthouse, it is dark. There is however, a shot of detective Rodriguez taken from inside the lighthouse towards the door and outside it is daylight. See more »
What does "broccoli" mean"?
Depends on the context. Pubic hair or marijuana. It's a noun.
Vagina. As in, "He penetrated her Virginia with a hammer".
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Meg Ryan gives what may well be the breakthrough performance of her career in 'In the Cut,' a violent, erotic thriller from maverick filmmaker Jane Campion. Ryan plays Frannie, a college English instructor who is instinctively drawn to the seamier side of life. When women in her Manhattan neighborhood start falling victim to a grizzly serial killer, Frannie, as a possible witness, becomes a prime source of interest, both professionally and personally, for a homicide detective named Malloy, who has some troubling sexual proclivities of his own to deal with. Attracted by his edgy darkness and smoldering sexuality, Frannie succumbs to his advances, fully cognizant of the possible danger he represents. Is the law enforcement official as much of a threat to this young woman as the psychopath going about town decapitating and dismembering the local ladies? It is this kind of moral ambiguity that informs the entire movie.
From the very outset, Campion makes it clear that we are not in for a conventional police procedural. She is obviously more interested in character and mood than in the niceties of a well-oiled plot and streamlined exposition. Frannie is far from being the helpless victim or plucky heroine one usually finds at the center of such tales; she is a complex, moody, taciturn woman who seems to be drifting passively through life, with little passion, conviction or purpose to make any of it worthwhile. Even when it comes to her sexual obsessions, it often feels as if she is just going through the motions. It is hard for us to get a bead on her, for she is a perfect reflection of the world she inhabits, a world without a clear moral compass - so much so that we often don't know what we are supposed to think of her or the other people with whom she comes in contact. The script plays up the sense of dislocation by having characters appear and disappear seemingly at random throughout the movie, sometimes serving as little more than red herrings for both the story and Frannie's life. This often makes it so that we in the audience feel clueless as to where exactly the film is headed and what the overall purpose of it really is. It's often hard for us to get our bearings, yet, it is this very ambiguity, this sense of being rudderless and confused, that lifts the film above the tired conventions of the genre. In fact, the film is at its weakest when it concentrates on the intricacies of the plot - the resolution is remarkably mundane - and at its strongest when it merely records the eccentricities and passions of its two enigmatic characters.
The sexual content of the film is highly charged but not overtly offensive, with one glaring exception, at least in the 'unrated' version (I assume this does not apply to the version released to theaters). Early in the film, we are treated to a graphic, hard core close-up of an act of fellatio that clearly is not simulated. Consider yourself forewarned.
Ryan has never been better than she is here. She plays Frannie almost as if she were one of the urban walking dead, just right for a modern woman who feels no real emotional connection with the world and the people around her.
Mark Ruffalo is excellent as the cop who may be more of a threat to Frannie than the killer who's terrorizing the area. Almost as an afterthought, Kevin Bacon makes little more than a cameo appearance, overacting in the role of Frannie's stalker ex-boyfriend.
'In the Cut' is a subtle little mood piece that is more about observing behavior than it is about searching for a killer. Those looking for an intensely plotted thriller may not be as intrigued by this film as those searching for a psychosexual character study. It's the atmosphere and the performances that count in this film.
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