A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City--as if to test the limits of her own safety--propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact--and about her own. Written by
The unrated version is notorious for a scene where fellatio is witnessed by Meg Ryan's character, although it was later revealed in the film commentary that the actress was using a dildo. See more »
When Franny sits down with Cornelius the first time and she opens her notebook, the "new word" he gives her is already written there, before he tells her. See more »
What does "broccoli" mean"?
Depends on the context. Pubic hair or marijuana. It's a noun.
Vagina. As in, "He penetrated her Virginia with a hammer".
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There is a typo in the credits - 'transportation' is spelt 'tranportation' (missing the 's') See more »
Deary me, some people get upset when a film isn't what they want it to be, don't they? How dare the film be what the film-makers set out to make, instead of what someone's narrow expectations dictate it should b?
Fancy In the Cut being gritty, seamy, sexy and deeply disturbing ... just like all the publicity (and the rating) warned us it would be. What a shock. How did the people expecting another Piano, or Meg Ryan Finds True Love Yet Again ever find themselves in the cinema?
As for those who have said they have walked out completely unmoved ... either they must be aliens or robots, or are fooling themselves, not wanting to acknowledge the truth of what they've seen on the screen. Seldom have I seen a film that so truly examines the dark side of our sexual impulses. I walked out quite shattered, and wandered around in a daze for a while.
Meg Ryan completely miscast? Ridiculous and insulting. How dare you tell an actress she has to be Little Mary Sunshine for the rest of her life. And she pulls it off brilliantly. She and Mark Ruffalo give the most stunning lead performances for a long time. Why? Because they're playing real, multi-layered people. Not goody-goodies or baddy-baddies.
Didn't like any of the characters? Must have a very limited range of acquaintances, or alternatively, don't like the real people you do know.
Thriller plot not thrilling? Admittedly it's not the strongest point in the film, but it has all the required shocks and surprises (and, you'd think enough gore for the modern audience), and while the revelation of the murderer is not the biggest twist ending ever, the final shot takes your breath away.
And anyway, Campion, while handling the thriller genre competently, is using it as a means to explore sexuality. And attraction. And how much of love involves physicality, carnality, trust, the desire to dominate, the desire to be dominated, and above all, the attraction of the DANGEROUS. Yes, adult stuff, not often tackled in mainstream films.
I think it's her best film ever (possibly excepting Sweetie), and I give it 9 out of 10.
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