IMDb > Flesh and Blood: The Hammer Heritage of Horror (1994) (TV)

Flesh and Blood: The Hammer Heritage of Horror (1994) (TV) More at IMDbPro »

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Overview

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Contact:
View company contact information for Flesh and Blood: The Hammer Heritage of Horror on IMDbPro.
Release Date:
6 August 1994 (UK) See more »
Genre:
Plot:
The history of Hammer Films and their legacy, narrated by the studio's most beloved stars, Peter Cushing and Christopher Lee. | Add synopsis »
User Reviews:
An interesting 2 part documentary See more (8 total) »

Cast

  (in credits order) (verified as complete)

Peter Cushing ... Narrator / Himself (voice)

Christopher Lee ... Narrator / Himself
rest of cast listed alphabetically:
Roy Ward Baker ... Himself
James Bernard ... Himself

Martine Beswick ... Herself (as Martine Beswicke)
Veronica Carlson ... Herself
Michael Carreras ... Himself

Hazel Court ... Herself

Joe Dante ... Himself
Freddie Francis ... Himself
Val Guest ... Himself

Ray Harryhausen ... Himself
Anthony Hinds ... Himself
Andrew Keir ... Himself
Francis Matthews ... Himself
Ferdy Mayne ... Himself

Caroline Munro ... Herself

Christopher Neame ... Himself

Ingrid Pitt ... Herself
Jimmy Sangster ... Himself
Yutte Stensgaard ... Herself (archive footage)

Raquel Welch ... Herself

Directed by
Ted Newsom 
 
Writing credits
(in alphabetical order)
Ted Newsom 

Produced by
Michael Baron .... associate producer: stills
Tee Bosustow .... producer
Joe Dante .... associate producer
Bill Kelley .... associate producer
Richard Nathan .... associate producer
Ted Newsom .... producer
Roy Skeggs .... associate producer
 
Original Music by
James Bernard 
 
Film Editing by
Tee Bosustow 
Alexander Gittinger  (as Alex Gittinger)
Noriko Miyakawa 
Sean Okin 
 
Second Unit Director or Assistant Director
Kevin M. Glover .... assistant director: Los Angeles (as Kevin Glover)
Donald F. Glut .... assistant director (as Don Glut)
Bruce G. Hallenbeck .... assistant director: New York (as Bruce Hallenback)
Chrissie Hines .... assistant director
Jane Hughes .... assistant director: Canterbury (as Jane Herd)
Stephen Laws .... assistant director: Manchester
Harry Nadler .... assistant director
John Stoker .... assistant director: London
 
Sound Department
Harvey Edwards .... sound recordist
Matthew Harrison .... sound recordist (as Matt Harrison)
David Lakin .... sound recordist
Robert Meeker .... sound recordist
 
Camera and Electrical Department
Tee Bosustow .... lighting technician
Janis Erwin .... lighting technician
Ron Hamill .... camera operator
Robert Lloyd .... camera operator
Anthony Penatta .... camera operator
Andy Watt .... camera operator
 
Animation Department
Gary Heilman .... animator: main title animation
 
Editorial Department
Michael Costanza .... off-line editorial assistant
Tom Reichlin .... off-line editorial assistant
 
Music Department
Phillip Kimbrough .... conductor: title music (as Phil Kimbrough)
Phillip Kimbrough .... musician: title music (as Phil Kimbrough)
Philip Martell .... conductor: archive music (as Phillip Martel)
Neil Richardson .... conductor: archive music
Eric Tomlinson .... music producer: archive music
 
Other crew
Ray Atherton .... film clips: Wavelength Video
Daniel Berwick .... on-screen talent
J'Aime Cohen .... on-screen talent
Joe Dante .... film clips courtesy of
Ernest D. Farino .... film clips courtesy of (as Ernest Farino)
Bernard Gordon .... film clips: Motion Picture Holdings
Marcus Hearn .... archive source
Ken Kramer .... film clips: The Clip Joint (as Ken Cramer)
Bill Longen .... film clips: Trailers on Tape
Greg Luce .... film clips: Sinister Cinema
Sterling Powers .... on-screen talent
Mike Sizemore .... on-screen talent
Woody Wise .... film clips: Discount Video
George Stover .... source: filmclips (uncredited)
 
Thanks
Lance Alspaugh .... acknowledgment
Roy Ward Baker .... special thanks
James Bernard .... special thanks
Martine Beswick .... special thanks (as Martine Beswicke)
David Booth .... acknowledgment
Lori Broda .... acknowledgment
Joyce Broughton .... acknowledgment
Veronica Carlson .... special thanks
Michael Carreras .... special thanks
Hazel Court .... special thanks
Colin Cowie .... acknowledgment
Sue Cowie .... acknowledgment
Joe Dante .... special thanks
David Del Valle .... acknowledgment
James Fitzpatrick .... acknowledgment
Freddie Francis .... special thanks
Val Guest .... special thanks
Ray Harryhausen .... special thanks
Anthony Hinds .... special thanks
Sophie James .... acknowledgment
Andrew Keir .... special thanks
Russel Lister .... acknowledgment (as Russ Lister)
William Lustig .... acknowledgment
Francis Matthews .... special thanks
Ferdy Mayne .... special thanks
Mark Miller .... acknowledgment
Caroline Munro .... special thanks
Christopher Neame .... special thanks
Ingrid Pitt .... special thanks
John Robins .... acknowledgment
Max Rosenberg .... acknowledgment
Jimmy Sangster .... special thanks
Roy Skeggs .... acknowledgment
Yutte Stensgaard .... special thanks
Steve Swires .... acknowledgment
Robert Tinnell .... acknowledgment (as Bob Tinnell)
Mark Verheiden .... acknowledgment
Tom Weaver .... acknowledgment
Raquel Welch .... special thanks
Richelle Wilder .... acknowledgment
Ron Wilson .... acknowledgment
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
100 min
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Although initially broadcast in two parts on British television in August 1994, the video/DVD release has a 1997 copyright.See more »
Movie Connections:
Features The Brides of Dracula (1960)See more »

FAQ

This FAQ is empty. Add the first question.
5 out of 5 people found the following review useful.
An interesting 2 part documentary, 18 June 2000
Author: Matthew Naylor from Lincoln, England

I found this documentary to be very interesting. Although most of the clips from the Hammer films were in the format of theatrical trailers (due to actual film clips being too expensive), I found that there was enough of a mix of interviews and clips to keep most people happy. The narration was good (as you would expect from Peter Cushing & Christopher Lee) but was also tinged with sadness, as when it was shown in the UK (on consecutive Saturday evenings) Peter Cushing died before the second part was shown. It can truly be seen as his swansong for Hammer, for whom he made so many classic films.

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