| Photos (See all 17 | slideshow) | Videos (see all 4) |
| Tommy Tiernan | ... | Simon | |
| Kate Hudson | ... | Lucy Owens | |
| Frances O'Connor | ... | Laura Owens | |
| Stewart Roche | ... | Customer #1 | |
| Aoife Maloney | ... | Customer #2 | |
| Donal Beecher | ... | Andy | |
| Stuart Townsend | ... | Adam | |
| Rosaleen Linehan | ... | Peggy Owens | |
| Charlotte Bradley | ... | Alice Owens Rooney | |
| Alan Maher | ... | David Owens | |
| Brendan Dempsey | ... | Martin Rooney | |
| Cathleen Bradley | ... | Karen | |
| Kathy Downes | ... | Dympna | |
| Mark Smith | ... | Dracula | |
| Roger Gregg | ... | Prof. Harry McCormick | |
| rest of cast listed alphabetically: | |||
| Ciara Dredge | ... | Flower Girl | |
| Shay Dunphy | ... | Voice actor (uncredited) | |
Directed by | |||
| Gerard Stembridge | |||
Writing credits(in alphabetical order) | ||
| Gerard Stembridge | ||
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Bruno de Keyzer | |||
Film Editing by | |||
| Mary Finlay | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
| Laura Rosenthal | |||
Production Design by | |||
| Fiona Daly | |||
Art Direction by | |||
| Susie Cullen | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Orla Carrol | .... | hair stylist | |
| Fiona Connon | .... | key makeup artist | |
| Barbara Conway | .... | assistant makeup artist | |
| Lorraine Glynn | .... | assistant hair stylist | |
| Sam Joseph | .... | makeup artist | |
| Marion O'Toole | .... | hair stylist | |
| Maureen Smith | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Donnacha Brady | .... | trainee assistant director | |
| Mary Gough | .... | assistant director | |
| Luke Johnston | .... | assistant director | |
| Alex Jones | .... | trainee assistant director | |
| Marcus Lynch | .... | assistant director | |
Art Department | |||
| Max Aifa | .... | props | |
| Russ Bailey | .... | construction manager | |
| Tony Boston | .... | props | |
| Christina Brosnan | .... | property master | |
| Deirdre Byrne | .... | props | |
| Bronwyn Clohissey-Boyd | .... | painter | |
| John Connon | .... | carpenter daily | |
| Colman Corish | .... | assistant art director | |
| Manus Daly | .... | supervising carpenter | |
| Joe Gaynor | .... | stand-by painter | |
| Tony Kelly | .... | stagehand | |
| Gerard Lanigan | .... | dressing props | |
| David Marsh | .... | trainee dressing props | |
| James McGetrick | .... | prop storeman | |
| Owen Murnane | .... | master painter | |
| Larry O'Toole | .... | stand-by carpenter | |
| Sheelagh Power | .... | property buyer | |
| Olivia Quigley | .... | trainee props | |
| Joe Swaine | .... | carpenter | |
| Brian Thompson | .... | construction runaround | |
| Jil Turner | .... | assistant property buyer | |
| Edmund Walsh | .... | trainee art director | |
| Noel Walsh | .... | stand-by props | |
Sound Department | |||
| Jose R. Castellon | .... | adr recordist | |
| Michelle Cunniffe | .... | adr recordist | |
| Patrick Drummond | .... | supervising sound editor | |
| Susan Fairbairn | .... | assistant sound editor | |
| Susan Fairbairn | .... | foley assistant | |
| John Fitzgerald | .... | adr mixer | |
| John Fitzgerald | .... | sound re-recording mixer | |
| Sarah Gaines | .... | machine room operator | |
| Dave Harris | .... | sound trainee | |
| Goro Koyama | .... | foley artist | |
| Anthony Litton | .... | sound effects editor | |
| Andy Malcolm | .... | foley artist | |
| Ron Malligers | .... | foley mixer (as Ron Mallegers) | |
| Marino Marolini | .... | assistant sound editor | |
| Noel Quinn | .... | boom operator | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Jon Stevenson | .... | adr editor | |
| Annette Stone | .... | foley editor | |
| Andrew Tay | .... | foley mixer | |
| Karl Travers | .... | sound trainee | |
| Richard Welsh | .... | dolby sound consultant | |
| Simon J. Willis | .... | sound | |
| Rebecca Wright | .... | foley assistant | |
| Sharon Zupancic | .... | foley artist | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
Special Effects by | |||
| Maurice Foley | .... | special effects supervisor | |
| Marty Kelly | .... | special effects technician | |
| Brendan Walsh | .... | special effects | |
Stunts | |||
| Laura Fox | .... | stunts | |
| Eamon A. Kelly | .... | stunt coordinator | |
| Donal O'Farrell | .... | stunt safety | |
| Donal O'Farrell | .... | water safety | |
Camera and Electrical Department | |||
| John Conroy | .... | assistant camera | |
| John Conroy | .... | focus puller | |
| Seamus Corcoran | .... | camera operator | |
| Tony Devlin | .... | gaffer | |
| Richie Egan | .... | crane grip | |
| Martin Holland | .... | best boy electric | |
| Roger Kenney | .... | camera trainee (as Roger Kenny) | |
| Philip McKeon | .... | clapper loader | |
| Peter O'Toole | .... | generator operator | |
| Patrick Redmond | .... | still photographer | |
| David Rist | .... | grip | |
| Fionn Seavers | .... | video assist operator (uncredited) | |
Casting Department | |||
| Mary Maguire | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Emma Charleton | .... | wardrobe trainee | |
| Judith Devlin | .... | wardrobe assistant | |
| Ger Scully | .... | wardrobe supervisor | |
| Judith Williams | .... | costume assistant | |
Editorial Department | |||
| Alan Duffy | .... | second second assistant editor | |
| Declan McGrath | .... | first assistant editor | |
| Anna Maria O'Flanagan | .... | second assistant editor | |
Music Department | |||
| Niall Acott | .... | music recording engineer | |
| Terry Davies | .... | conductor | |
| Isobel Griffiths | .... | music contractor | |
| Colin Rae | .... | music preparation | |
| Jon Stevenson | .... | music editor | |
Transportation Department | |||
| John Kavanagh | .... | transportation captain | |
Other crew | |||
| Kate Bowe | .... | unit publicist | |
| Yvonne Burke | .... | assistant production coordinator | |
| Fionnuala Dorney | .... | accounting assistant | |
| Jerome Franc | .... | utility stand-in | |
| Gerry Grennell | .... | dialogue coach | |
| Kieran Hennessy | .... | location manager | |
| Richard Matthews | .... | production trainee | |
| Suzanne McAuley | .... | assistant accountant | |
| Jeanette McGrath | .... | trainee script supervisor | |
| Rob Quigley | .... | production accountant | |
| Pat Rambaut | .... | script supervisor | |
| Rachel Smith | .... | production coordinator | |
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| Cousin Bette | Me and Him | Closer | The Heart of Me | Love Actually |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Ireland section |
I guess from my reaction to many a romantic comedy, some may think I'm male. Actually I'm a heterosexual female who enjoys ORIGINAL romantic comedy, but I also have half a brain and expect some degree of intelligence from films.
The Laura character summed this film up pretty thoroughly for me. She is an English actor, meaning that two of the main characters, including of course THE main female lead, were not Irish. I can't be bothered repeating why this is extremely sad - it's been said so many times - but the marketing machine behind most movies will not change it's mind about shoving Americans (or Brits) into the leads in "foreign" films, no matter how much people complain. They want the bucks, you know, and a famous names DOES mean more bums on seats. Sad but true.
I found this film uninspired. There were perhaps 2 or 3 genuinely amusing and surprising lines. The characters were pretty much laughable, in a bad way. Adam's justification for his machiavellian behaviour I found ridiculous and unconvincing. This guy is not altruistic - that much should have been patently obvious to anyone with a brain half the size of an ant's b**ls.
I hung on to the end. Lord knows why as I tend to advise: if you don't like a movie, turn it off. Maybe I'm feeling rather masochistic today or maybe I kept hoping something was going to happen to make it worth my while. It didn't.
That said, if you don't care about intelligent scripts or whether a movie rehashes themes/styles/plots that have been done better elsewhere many a time and if you like fluffy, pointless romantic comedy no matter what, then watch and enjoy! 4/10