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Directed by | |||
| Roger Young | |||
Writing credits(WGA) | ||
| Suzette Couture | (teleplay) | |
Produced by | |||
| Roberta Cadringher | .... | associate producer | |
| Russell Kagan | .... | producer | |
| Frank Konigsberg | .... | co-executive producer | |
| Heinrich Krauss | .... | producer: KirchMedia | |
| Paolo Lucidi | .... | line producer | |
| Lorenzo Minoli | .... | executive producer | |
| Gianmario Pagano | .... | associate producer | |
| Judd Parkin | .... | executive producer | |
| Paolo Piria | .... | producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Raffaele Mertes | (director of photography) | ||
Film Editing by | |||
| Benjamin A. Weissman | (as Benjamin Weissman) | ||
Casting by | |||
| Barbara Giordani | |||
| Cornelia von Braun | |||
Production Design by | |||
| Paolo Biagetti | |||
Costume Design by | |||
| Simonetta Leoncini | |||
| Giovanni Viti | |||
Makeup Department | |||
| Claudia Catini | .... | hair stylist | |
| Francesca De Simone | .... | hair stylist | |
| Annamaria Ginnoto | .... | hair stylist | |
| Mirella Ginnoto | .... | key hair stylist | |
| Enrico Iacoponi | .... | makeup artist | |
| Federico Laurenti | .... | makeup artist | |
| Elda Magnanti | .... | key hair stylist | |
| Antonio Maltempo | .... | makeup artist | |
| Alessandra Sampaolo | .... | makeup artist | |
| Fabrizio Sforza | .... | key makeup artist | |
| Edward Ternes | .... | hair stylist: Miss Bisset | |
| Edward Ternes | .... | makeup artist: Miss Bisset | |
| Gianna Viola | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Noureddine Aberdine | .... | second assistant director | |
| Sergio Ercolessi | .... | first assistant director | |
| Emanuela Minoli | .... | second second assistant director | |
| Barbara Pastrovich | .... | second assistant director | |
| Jeff Vacirca | .... | trainee assistant director (as Jeffrey Alan Vacirca) | |
Art Department | |||
| Pasquale Avvisato | .... | property master | |
| Fabio Carussi | .... | construction team | |
| Angelo Caso | .... | sculptor | |
| Luciano Curti | .... | painter | |
| Marco Davoli | .... | construction team | |
| Tatiana Hahn | .... | assistant set dresser (as Titjana Hahn) | |
| Claudio Magrini | .... | key construction | |
| Barnaba Pagliarini | .... | upholsterer | |
| Pietro Petri | .... | construction team | |
| Alberto Ruiu | .... | key plasterer | |
| Sergio Ruiu | .... | plasterer | |
| Giovanni Battista Russo | .... | construction team | |
| Giancarlo Sensidoni | .... | key painter | |
| Domenico Sica | .... | key art director | |
| Titus Vossberg | .... | set dresser | |
Sound Department | |||
| Bernard Bats | .... | sound mixer | |
| Beau Biggart | .... | adr mixer | |
| Pierre-Yves Bruneel | .... | boom operator | |
| Kevin Patrick Burns | .... | sound re-recording mixer | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound editor | |
| Jim Fitzpatrick | .... | sound re-recording mixer | |
| Tommy Goodwin | .... | foley mixer | |
| G. Michael Graham | .... | supervising sound editor (as Michael Graham) | |
| Stephen Grubbs | .... | sound editor | |
| Kristi Johns | .... | supervising adr editor | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Keith Rogers | .... | sound re-recording mixer | |
Special Effects by | |||
| Marco Corridori | .... | special effects | |
| Claudio Quaglietti | .... | special effects coordinator | |
| Silvano Scasseddu | .... | special effects | |
Visual Effects by | |||
| Alessia Bassi | .... | visual effects post-production coordinator | |
| Loren Bivens | .... | visual effects | |
| Deane Boeka | .... | visual effects | |
| Marcello Buffa | .... | visual effects post-production supervisor | |
| David Bush | .... | visual effects supervisor | |
| Carla Calderoni | .... | visual effects post-production coordinator | |
| Amedeo Califano | .... | digital artist | |
| Beppe Carabelli | .... | visual effects post-production coordinator | |
| Alessandro Cioffi | .... | digital compositor | |
| Chris DeCristo | .... | digital compositor | |
| Lori Freitag-Hild | .... | visual effects artist | |
| George Garcia | .... | visual effects | |
| Armando Lombardo | .... | compositor | |
| Mario Negrocusa | .... | visual effects technical supervisor | |
| Guido Pappadá | .... | digital effects production manager | |
| Ivan Parillo | .... | digital artist: Dyte | |
| Alessandro Saponi | .... | digital artist | |
| Franco Sgueglia | .... | digital effects coordinator | |
| Scott Snyder | .... | visual effects | |
| Craig Weiss | .... | visual effects supervisor | |
| Niel Wray | .... | digital effects artist (as Neil Wray) | |
| Riccardo Zanettini | .... | digital artist | |
| Hraefn Wulfson | .... | model maker (uncredited) | |
Stunts | |||
| Younes Afroukh | .... | stunt performer | |
| Giorgio Antonini | .... | stunts | |
| Faycal Attougui | .... | stunts | |
| Othman Ilyassa | .... | stunts | |
| Gérard Lesage | .... | stunts | |
| Stefano Maria Mioni | .... | stunts | |
| Abdellah Oukseh | .... | stunt performer | |
| Cedric Proust | .... | stunts | |
| Joel Proust | .... | stunt coordinator | |
| Franco Maria Salamon | .... | stunt coordinator | |
| Mustapha Touki | .... | stunts | |
Casting Department | |||
| Barbara Giordani | .... | casting: Italy | |
| Wendy Kurtzman | .... | casting: USA | |
| Mohamed Nesrate | .... | extras casting | |
| Cornelia von Braun | .... | casting: Germany | |
| Jeremy Zimmermann | .... | casting: Europe | |
| Lana Veenker | .... | casting assistant: London (uncredited) | |
Costume and Wardrobe Department | |||
| Romano Amidei | .... | seamstress | |
| Romano Amidei | .... | tailor | |
| Abderrahim Benkhayi | .... | costumes | |
| Vincenzo Cancellara | .... | set costumer | |
| Antonia Chimera | .... | set costumer | |
| Francesca Di Tocco | .... | seamstress | |
| Francesca Di Tocco | .... | tailor | |
| Ali Lammari | .... | set costumer | |
| Rossano Marchi | .... | costume ager/dyer | |
| Mustapha Mimis | .... | set costumer | |
| Anna Orazi | .... | set costumer | |
| Giulia Orsacchiotto | .... | seamstress | |
| Giulia Orsacchiotto | .... | tailor | |
| Olga Pagnotta | .... | cutter | |
| Olga Pagnotta | .... | tailor | |
| Uliva Pizzetti | .... | assistant to costume designers | |
| Maria Antonietta Salvatori | .... | set costumer | |
| Hassan Taghriti | .... | costume supervisor | |
Editorial Department | |||
| Lynn Abroms | .... | assistant editor | |
| Giancarlo Barberi | .... | color timer | |
| Luigi Di Fabio | .... | negative cutter | |
| Michael H. Friedlander | .... | second editor (as Michael Freidlander) | |
| Charlotte Grau | .... | colorist | |
| David Lebowitz | .... | assistant editor | |
| Rosario Ranieri | .... | post-production coordinator | |
Music Department | |||
| Mike Curb | .... | executive producer: soundtrack album | |
| Penka Kouneva | .... | lead orchestrator | |
| Dino A. Moriana | .... | music editor (as Dino Moriana) | |
| Patrick Williams | .... | conductor | |
Transportation Department | |||
| Abdelhay Elanbassi | .... | transportation | |
| Abdenabi Izlaguen | .... | transportation coordinator | |
| Enrico Pini | .... | transportation coordinator | |
| Giuliano Troiano | .... | driver (as Giuliano Trojano) | |
Other crew | |||
| Damian Anderson | .... | production coordinator: Rome | |
| Gianfranco Basti | .... | historical & biblical advisor | |
| Tikon of Bronnisty | .... | historical & biblical advisor (as Tikon of Bronnitsky) | |
| Carmine Cellitti | .... | catering chef | |
| Valter De Filippis | .... | gennyman | |
| Francesca Deodato | .... | production secretary | |
| Gabriella Di Santo | .... | production coordinator | |
| Riccardo Di Segni | .... | historical & biblical advisor | |
| Francis Dokyi | .... | production runner: Rome (as Francis B.K. Dokti) | |
| Zouhar El Fassi | .... | accountant: Morocco (as Zouheir El Fassi) | |
| Francesco Fischietti | .... | assistant: Mr. Minoli | |
| Marco Frisina | .... | historical & biblical advisor | |
| Daniele Garonne | .... | historical & biblical advisor (as Daniele Garrone) | |
| Pat Garrett | .... | choreographer: Salome's dance | |
| Giampaolo Grassi | .... | armorer | |
| Michele Greco | .... | location manager | |
| Rachel Griffiths | .... | script supervisor | |
| Heinrich Krauss | .... | historical & biblical advisor | |
| Pierpaolo Marcelli | .... | story editor | |
| Gaia Marotta | .... | production secretary | |
| Marco Olivieri | .... | location manager | |
| Gianmario Pagano | .... | historical & biblical advisor | |
| Franco Penna | .... | chief accountant | |
| Roberto Penna | .... | production auditor | |
| Carla Maria Perrina | .... | payroll clerk | |
| Andrea Piria | .... | accountant | |
| Gianluigi Prato | .... | historical & biblical advisor | |
| Joel Proust | .... | horse master | |
| Elio Usai | .... | gennyman | |
| Laura Vergelli | .... | dialogue adaptor | |
Thanks | |||
| Enrico Sabbatini | .... | in memory of | |
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| St. Paul | The Passion of the Christ | The Greatest Story Ever Told | Solomon | Religulous |
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| Full cast and crew | Company credits | External reviews |
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This is the best version of a Jesus film I have ever seen. Realistic, made so by the human emotions and the diverse personal viewpoints casually merged with the storyline. It seems everyone gets to see it from their perspective without the story of Jesus losing the focal point..Jesus.. Jesus is portrayed as I have come to see Him. Truly the Son of God while having lived as a human being. Laughed, joking, crying, in pain, alone and truly human while still doing the will of the Father and triumphing gloriously. I couldn't stop crying throughout, it was as if I was there. "Jesus" is brought without giving offense to Christians and non-christians alike. Brilliantly played by Jeremy Sisto, giving Jesus the human side so sadly lacking because of the mostly "holy" attitude forced upon Jesus in earlier films. A special mention for Jeroen Krabbé who excellently portrayed the devil in a way that follows the description the Bible brings, far from weak but wily, devious, power hungry, scared and very much aware of his position in the grand scheme of things and of his ultimate defeat. The filmography, lighting and scenery were done exceptionally and add to the experience. Heartily recommended.