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Directed by | |||
| Roger Young | |||
Writing credits(WGA) | ||
| Suzette Couture | (teleplay) | |
Produced by | |||
| Roberta Cadringher | .... | associate producer | |
| Russell Kagan | .... | producer | |
| Frank Konigsberg | .... | co-executive producer | |
| Heinrich Krauss | .... | producer: KirchMedia | |
| Paolo Lucidi | .... | line producer | |
| Lorenzo Minoli | .... | executive producer | |
| Gianmario Pagano | .... | associate producer | |
| Judd Parkin | .... | executive producer | |
| Paolo Piria | .... | producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Raffaele Mertes | (director of photography) | ||
Film Editing by | |||
| Benjamin A. Weissman | (as Benjamin Weissman) | ||
Casting by | |||
| Barbara Giordani | |||
| Cornelia von Braun | |||
Production Design by | |||
| Paolo Biagetti | |||
Costume Design by | |||
| Simonetta Leoncini | |||
| Giovanni Viti | |||
Makeup Department | |||
| Claudia Catini | .... | hair stylist | |
| Francesca De Simone | .... | hair stylist | |
| Annamaria Ginnoto | .... | hair stylist | |
| Mirella Ginnoto | .... | key hair stylist | |
| Enrico Jacoponi | .... | makeup artist (as Enrico Iacoponi) | |
| Federico Laurenti | .... | makeup artist | |
| Elda Magnanti | .... | key hair stylist | |
| Antonio Maltempo | .... | makeup artist | |
| Alessandra Sampaolo | .... | makeup artist | |
| Fabrizio Sforza | .... | key makeup artist | |
| Edward Ternes | .... | hair stylist: Miss Bisset | |
| Edward Ternes | .... | makeup artist: Miss Bisset | |
| Gianna Viola | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Noureddine Aberdine | .... | second assistant director | |
| Sergio Ercolessi | .... | first assistant director | |
| Emanuela Minoli | .... | second second assistant director | |
| Barbara Pastrovich | .... | second assistant director | |
| Jeff Vacirca | .... | trainee assistant director (as Jeffrey Alan Vacirca) | |
Art Department | |||
| Pasquale Avvisato | .... | property master | |
| Fabio Carussi | .... | construction team | |
| Angelo Caso | .... | sculptor | |
| Luciano Curti | .... | painter | |
| Marco Davoli | .... | construction team | |
| Tatiana Hahn | .... | assistant set dresser (as Titjana Hahn) | |
| Claudio Magrini | .... | key construction | |
| Barnaba Pagliarini | .... | upholsterer | |
| Pietro Petri | .... | construction team | |
| Alberto Ruiu | .... | key plasterer | |
| Sergio Ruiu | .... | plasterer | |
| Giovanni Battista Russo | .... | construction team | |
| Giancarlo Sensidoni | .... | key painter | |
| Domenico Sica | .... | assistant art director | |
| Titus Vossberg | .... | set dresser | |
Sound Department | |||
| Bernard Bats | .... | sound mixer | |
| Beau Biggart | .... | adr mixer | |
| Pierre-Yves Bruneel | .... | boom operator | |
| Kevin Patrick Burns | .... | sound re-recording mixer | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound editor | |
| Jim Fitzpatrick | .... | sound re-recording mixer | |
| Tommy Goodwin | .... | foley mixer | |
| G. Michael Graham | .... | supervising sound editor (as Michael Graham) | |
| Stephen Grubbs | .... | sound editor | |
| Kristi Johns | .... | supervising adr editor | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Keith Rogers | .... | sound re-recording mixer | |
Special Effects by | |||
| Marco Corridori | .... | special effects | |
| Claudio Quaglietti | .... | special effects coordinator | |
| Silvano Scasseddu | .... | special effects | |
Visual Effects by | |||
| Alessia Bassi | .... | visual effects post-production coordinator | |
| Loren Bivens | .... | visual effects | |
| Deane Boeka | .... | visual effects | |
| Marcello Buffa | .... | visual effects post-production supervisor | |
| David Bush | .... | visual effects supervisor | |
| Carla Calderoni | .... | visual effects post-production coordinator | |
| Amedeo Califano | .... | digital artist | |
| Beppe Carabelli | .... | visual effects post-production coordinator | |
| Alessandro Cioffi | .... | digital compositor | |
| Chris DeCristo | .... | digital compositor | |
| Lori Freitag-Hild | .... | visual effects artist | |
| George Garcia | .... | visual effects | |
| Armando Lombardo | .... | compositor | |
| Mario Negrocusa | .... | visual effects technical supervisor | |
| Guido Pappadá | .... | digital effects production manager | |
| Ivan Parillo | .... | digital artist: Dyte | |
| Alessandro Saponi | .... | digital artist | |
| Franco Sgueglia | .... | digital effects coordinator | |
| Scott Snyder | .... | visual effects | |
| Craig Weiss | .... | visual effects supervisor | |
| Niel Wray | .... | digital effects artist (as Neil Wray) | |
| Riccardo Zanettini | .... | digital artist | |
| Dylan Martens | .... | model maker (uncredited) | |
Stunts | |||
| Giorgio Antonini | .... | stunts | |
| Faycal Attougui | .... | stunts | |
| Othman Ilyassa | .... | stunts | |
| Gérard Lesage | .... | stunts | |
| Stefano Maria Mioni | .... | stunts | |
| Cedric Proust | .... | stunts | |
| Joel Proust | .... | stunt coordinator | |
| Franco Maria Salamon | .... | stunt coordinator | |
Casting Department | |||
| Barbara Giordani | .... | casting: Italy | |
| Wendy Kurtzman | .... | casting: USA | |
| Mohamed Nesrate | .... | extras casting | |
| Cornelia von Braun | .... | casting: Germany | |
| Jeremy Zimmerman | .... | casting: Europe (as Jeremy Zimmermann) | |
| Lana Veenker | .... | casting assistant: London (uncredited) | |
Costume and Wardrobe Department | |||
| Romano Amidei | .... | seamstress | |
| Romano Amidei | .... | tailor | |
| Abderrahim Benkhayi | .... | costumes | |
| Vincenzo Cancellara | .... | set costumer | |
| Antonia Chimera | .... | set costumer | |
| Francesca Di Tocco | .... | seamstress | |
| Francesca Di Tocco | .... | tailor | |
| Rossano Marchi | .... | costume ager/dyer | |
| Anna Orazi | .... | set costumer | |
| Giulia Orsacchiotto | .... | seamstress | |
| Giulia Orsacchiotto | .... | tailor | |
| Olga Pagnotta | .... | cutter | |
| Olga Pagnotta | .... | tailor | |
| Uliva Pizzetti | .... | assistant to costume designers | |
| Maria Antonietta Salvatori | .... | set costumer | |
Editorial Department | |||
| Lynn Abroms | .... | assistant editor | |
| Giancarlo Barberi | .... | color timer | |
| Luigi Di Fabio | .... | negative cutter | |
| Michael H. Friedlander | .... | second editor (as Michael Freidlander) | |
| Charlotte Grau | .... | colorist | |
| David Lebowitz | .... | assistant editor | |
Music Department | |||
| Mike Curb | .... | executive producer: soundtrack album | |
| Penka Kouneva | .... | orchestrator | |
| Dino A. Moriana | .... | music editor (as Dino Moriana) | |
| Patrick Williams | .... | conductor | |
Transportation Department | |||
| Abdenabi Izlaguen | .... | transportation coordinator | |
| Enrico Pini | .... | transportation coordinator | |
| Giuliano Troiano | .... | driver (as Giuliano Trojano) | |
Other crew | |||
| Damian Anderson | .... | production coordinator: Rome | |
| Gianfranco Basti | .... | historical & biblical advisor | |
| Tikon of Bronnisty | .... | historical & biblical advisor (as Tikon of Bronnitsky) | |
| Carmine Cellitti | .... | catering chef | |
| Valter De Filippis | .... | gennyman | |
| Francesca Deodato | .... | production secretary | |
| Gabriella Di Santo | .... | production coordinator | |
| Riccardo Di Segni | .... | historical & biblical advisor | |
| Francis Dokyi | .... | production runner: Rome (as Francis B.K. Dokti) | |
| Zouhar El Fassi | .... | accountant: Morocco (as Zouheir El Fassi) | |
| Francesco Fischietti | .... | assistant: Mr. Minoli | |
| Marco Frisina | .... | historical & biblical advisor | |
| Daniele Garonne | .... | historical & biblical advisor (as Daniele Garrone) | |
| Pat Garrett | .... | choreographer: Salome's dance | |
| Giampaolo Grassi | .... | armorer | |
| Michele Greco | .... | location manager | |
| Rachel Griffiths | .... | script supervisor | |
| Heinrich Krauss | .... | historical & biblical advisor | |
| Pierpaolo Marcelli | .... | story editor | |
| Gaia Marotta | .... | production secretary | |
| Marco Olivieri | .... | location manager | |
| Gianmario Pagano | .... | historical & biblical advisor | |
| Franco Penna | .... | chief accountant | |
| Roberto Penna | .... | production auditor | |
| Carla Maria Perrina | .... | payroll clerk | |
| Andrea Piria | .... | accountant | |
| Gianluigi Prato | .... | historical & biblical advisor | |
| Joel Proust | .... | horse master | |
| Elio Usai | .... | gennyman | |
Thanks | |||
| Enrico Sabbatini | .... | in memory of | |
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| San Paolo | The Passion of the Christ | Solomon | The Flame and the Arrow | Samson and Delilah |
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| Full cast and crew | Company credits | External reviews |
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Seeing Mel Gibson's "The Passion of the Christ" made me want to re-watch this CBS Mini-series. What a compassionate, loving movie! Jeremy Sisto was excellent in the title role. This film was helped greatly by good music and costumes and excellent F/X. The most difficult thing about "Jesus" is it's flawed script and dumbed-down dialogue. Thats OK, it more than makes up for it. Sisto's Jesus is so human, so full of love and compassion. Debra Messing was an fine choice for Mary Magdalene and Jaqueline Bisset a surprisingly effective Mary.
They take lots of chances. Jesus is shown as the perfect priest, telling Mary of Bethany that his "life is not my own" and loving everyone as His Mother, sister and brother. What a beautiful message! The final hour of the film is the the best part, The brutal crucification and the playing of "Pie Jesu" over Jesus' burial moved me to tears. The resurrected Christ is shown joyful and smiling!!!!! This finally is Jesus, who could find joy in clear skies and still waters, who tell his apostles, in a brilliantly done "upper room" that he is "with them always". In other films they act like the story is over after Easter Sunday. In "Jesus" we know it is just beginning. Highly recommended.