Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
A self-absorbed Black American fashion model on a photo shoot in Africa is spiritually transported back to a plantation in the West Indies where she experiences first-hand the physical and ... See full summary »
J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. ... See full summary »
An improvised late '60's short-subject student film, and debut movie of Director, Charles Burnett; done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale... See full summary »
An artistic document of a struggle, a people and a music
A study of music as cultural identity and the black struggle, all dressed up in the lazy guise of a blaxploitation flick (really it's more of a jazzsploitation flick). The narrative is contrived and the story wandering. But that's not really what this is about. The presentation of jazz as a cinematic language in this movie is breathtaking. On every technical front this film is stunning. The art direction, photography, editing, sound mixing and overall directorial vision are astounding, especially considering the budget ($13,000+). It's packed with images and music that take your breath away. No other film that I've ever seen captures the power of jazz and its role in the African American fight for equality like this film does. To think that this was Larry Clark's UCLA thesis is just mind-blowing. And it's sad that we only have three films from him. This movie is really more of an artistic document of a movement, a people and a music than it is a movie, but as such, it's spectacular.
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