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Monsters, Inc. (2001)

8.1
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Ratings: 8.1/10 from 412,880 users   Metascore: 78/100
Reviews: 552 user | 242 critic | 34 from Metacritic.com

Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.

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(original story by), (original story by), 7 more credits »
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Title: Monsters, Inc. (2001)

Monsters, Inc. (2001) on IMDb 8.1/10

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Top 250 #221 | Won 1 Oscar. Another 15 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Mike Wazowski (voice)
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Boo (voice)
...
Randall Boggs (voice)
...
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Celia (voice)
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Roz (voice)
...
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Fungus (voice)
Daniel Gerson ...
Needleman / Smitty (voice)
Steve Susskind ...
Floor Manager (voice)
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Flint (voice)
...
Bile (voice)
Samuel Lord Black ...
George Sanderson (voice) (as Sam Black)
Jack Angel ...
(voice)
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Storyline

A city of monsters with no humans called Monstropolis centers around the city's power company, Monsters, Inc. The lovable, confident, tough, furry blue behemoth-like giant monster named James P. Sullivan (better known as Sulley) and his wisecracking best friend, short, green cyclops monster Mike Wazowski, discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. And now it's up to Sulley and Mike to send Boo back in her door before anybody finds out, especially two evil villains such as Sulley's main rival as a scarer, chameleon-like Randall (a monster that Boo is very afraid of), who possesses the ability to change the color of his skin, and Mike and Sulley's boss Mr. Waternoose, the chairman and chief executive officer of Monsters, Inc. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Plot Keywords:

monster | scream | girl | friend | best friend | See more »

Taglines:

We Think They Are Scary, But Really We Scare Them! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

Release Date:

2 November 2001 (USA)  »

Also Known As:

Hidden City  »

Box Office

Budget:

$115,000,000 (estimated)

Opening Weekend:

$4,090,134 (France) (22 March 2002)

Gross:

$289,907,418 (USA) (26 April 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

At Harryhausen's Sushi Restaurant, employees shout, "Get a paper bag!" whenever somebody walks through the door. In Japan, it is customary for employees of any store to shout "irasshaimase!" (pronounced ee-rah-shai-mah-seh"). The monsters shouting, "Get a paper bag!" is a phonetic reference to this fact. There's a similar Japanese reference in Toy Story 2 (1999) (see Trivia). See more »

Goofs

In the opening scene when the monster comes through the door, he closes the door most of the way, but when the instructor does a review of what the student did wrong, the door is left mostly open. See more »

Quotes

[first lines]
Flint: All right, Mr. Bile, is it?
Bile: Uh, my friends call me Phlem.
Flint: Uh-huh, Mr. Bile, can you tell me what you did wrong?
Bile: I fell down?
See more »

Crazy Credits

No monsters were harmed in the making of this motion picture. See more »

Connections

Referenced in Brave (2012) See more »

Soundtracks

If I Didn't Have You
Music and Lyrics by Randy Newman
Performed by Billy Crystal and John Goodman
Produced by Randy Newman, Chris Montan, and Frank Wolf
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The best computer animated film of them all, and the most adult
2 January 2002 | by (Canberra, Australia) – See all my reviews

Until now I couldn't bring myself to believe that computer animation was the equal of either stop motion animation or hand-drawn animation. All computer animated films looked a little (usually more than a little) too sterile, many were animated poorly ("Antz", "Shrek", "Final Fantasy"), and even the single unqualified success ("Toy Story 2") provided little evidence that a computer animated film COULD reach the heights other kinds of animation could. "Toy Story 2" had flawless character animation, but nothing as inspired as the best in "Tarzan" (released the same year, although I could have chosen almost any other Disney cartoon to make my point); effective art direction, but nothing to match "Fantasia" or "The Nightmare Before Christmas". And I thought that "Toy Story 2" was as good as the art was ever going to get.

I was wrong. This is far better. And what's more, there's no sense whatever that the script (an unusually rich and uninhibited script) is bumping up against the limits of what the medium will allow. It's now been proven that computer animation CAN be just as good as any other kind. Whether it will be allowed to be in future is another question, but for now, I'm hopeful. What we have here is computer animation's first ENTIRELY unalloyed artistic delight, with every character gracefully and characteristically animated, every virtual set just right and pleasing to look at, and an eye-tickling mastery of colour, light and shade that I thought would forever elude CGI artists.

It's not fair to judge anything good as "Monsters, Inc." as though it were a children's movie, but I can't resist comparing it with "Shrek" - which emphatically IS a children's movie. "Monsters, inc." is admittedly ABOUT children, in a sort of a way. The inhabitants of Monstropolis rely on children's screams for their energy, and the central story is kicked off when one of the monsters accidentally brings a small child (which he calls "Boo") into the city. But we never see things from her point of view. We see things from the point of view of the monsters, who are all adults - and who, like most adults, see children as frightening, almost incomprehensible members of another species. And they ARE. To be sure, Wazowski comes to feel strong affection for Boo, but she never becomes more than a humanoid pet (which is not to demean the relationship). This is a story about adults looking at childhood from the outside.

"Shrek", of course, is a children's movie through and through. Its attention span is short, it has an unthinking mean streak, and children will have a whale of a time watching the central characters (the bigger they are, the more fun it is) act childishly and make poo-poo jokes. "Monsters, Inc." has too much genuine wit, characters too rich, a world with too much depth, and a story at once too coherent and too complicated, to be PRIMARILY a film for children. This is not to say children won't like it. Maybe they will. (Who can say?) Here's the bonus: if they DO like it, it will (unlike "Shrek") actually have a beneficial effect. It will make them less frightened of the dark.


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