Candide, lovelorn youth and eternal seeker from the pages of Voltaire's immortal classic novel, finds himself thrown out of an entirely comfortable castle after his affection for the ... See full summary »

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Cast

Credited cast:
Christopher Brown ...
Candido
Michele Miller ...
...
José Quaglio
Steffen Zacharias ...
Il saggio
Gianfranco D'Angelo ...
Barone
Salvatore Baccaro ...
Orco
Alessandro Haber ...
Amante di Cunegonda
Richard Domphe
Sonia Viviani
Carla Mancini
Lorenzo Piani
Rest of cast listed alphabetically:
Giancarlo Badessi
Annick Berger
Giancarlo Cortesi
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Candide, lovelorn youth and eternal seeker from the pages of Voltaire's immortal classic novel, finds himself thrown out of an entirely comfortable castle after his affection for the baron's daughter Cunegonde went a little too far down her thighs for her father's taste.

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21 February 1975 (Italy)  »

Also Known As:

Blutiges Märchen  »

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MONDO CANDIDO (Gualtiero Jacopetti and Franco Prosperi, 1975) **1/2
9 March 2008 | by (Naxxar, Malta) – See all my reviews

Despite the title, this isn't yet another repellent documentary by the notorious film-makers behind MONDO CANE (1962) et al; rather, it's an adaptation – their only 'proper' feature as a team – of the popular allegory "Candide" by the celebrated French author Voltaire. Incidentally, I own this classic piece of literature and, in fact, had read it some years ago; while I can't objectively determine the film's actual proximity to the source novel (also for reasons I'll get to later), as I lay watching it, I certainly recalled the episodic and essentially tasteless nature of the plot (placing the subject matter firmly down the film-makers' alley!) – not to mention connotations relating to the main characters (the naively optimistic hero Candide, his long-suffering lover Cunegonde – serenely accepting every card dealt her by Fate – and the boy's infuriatingly practical mentor Dr. Pangloss), and even key phrases from the book!!

Voltaire's narrative thrust the titular character (after being banished for ravishing Cunegonde) into all the socio-political strife that went on in that particular era; in hindsight, little has changed throughout the centuries – and, in fact, this satirical- picaresque style has influenced other notable works including Evelyn Waugh's "Decline And Fall" (filmed in 1968) and Lindsay Anderson's second "Mick Travis" adventure O LUCKY MAN! (1973). "Candide" itself has been adapted for cinema and TV a number of times, with perhaps the most interesting version being the 1960 French film (which updates the tale to WWII) with an all-star cast – Jean-Pierre Cassel (as the hero), Daliah Lavi (Cunegonde), Pierre Brasseur (Pangloss), Michel Simon, Louis De Funes, Michel Serrault, etc. As for MONDO CANDIDO, it starts off in period vein but then switches to more recent times and events (presumably for a greater political immediacy) – so that we see Candide & Co. involved with IRA bombings, Jewish freedom-fighters, even hippies; that said, it maintains a curious balance throughout of old and new: for instance, at one point Cunegonde is raped by a rocker dressed in a knight's outfit(!) - which emerges to be perhaps the film's comic/absurd highlight. For this reason, the ever-reliable Riz Ortolani provides a suitably eclectic score.

Given its considerable length of 110 minutes (and with the only notable performers in the cast being Jacques Herlin as Pangloss and popular Italian comic Gianfranco D'Angelo as Cunegonde's campy Baron father), it's small wonder that the film bogs down after the IRA scenes. Nevertheless, it features ample nudity and violence (notably the slow-motion massacre of the Jewish troops) – to say nothing of weirdness – to keep the interest alive (and is good-looking into the bargain).


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