At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change... See full summary »
A road movie that begins when a man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a ... See full summary »
The last shot of the film shows to "El manosanta" pointing to a board announcing the upcoming sequel of this movie. The movie was never made because the death of Alberto Olmedo, who played "El manosanta". See more »
Impossible not to recognise much of the idionsincrasy of the Argentinian people in Olmedo's characthers, in addition I would say he was one of the few who actually foresaw one of the darkest periods in the recent socio-economical history of Argentina. Among "Esperando La Carroza", "La clinica del Dr. Cureta" and others of this genre, El Manosanta is a must see.
I do also believe that people tend to think Olmedo was only a public clown but his sense of humour and accuracy to represent the Argentinians to cinema was an ability shared by a very very few number of people. In that sense, I also think the posterity has misregarded him as a valid exponent of what it should have been more than a laugh about themselves.
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