In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly ... See full summary »
Álex de la Iglesia
Torrente has now moved to Marbella, where, after being wiped out of the money he had gained, has returned to private investigation. But in one of his cases he gets involved in the middle of a villain's missile plot to destroy the city and his own uncle's blackmail operation... and he knows nothing.
Young French officer Augustin Robert escorts artist Jean-Michel Venture de Paradis to Egypt during Napoleon's Egyptian campaign. Napoleon sent de Paradis to record Egypt's great monuments ... See full summary »
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
A platoon of mismatched republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the saint patron date of the village. In addition to ruining the ... See full summary »
Luis García Berlanga
This movie is more than a chain of punch lines guided by some anarchist spirit. Yes, it certainly does some heavy criticism on almost every Spanish institution, but it also criticizes the rather absurd passion with which several societies (or countries if you want) built on the whole Y2K fever . The movie takes place precisely around that date and it provides a clever, acid, and up to a certain extent prophetic portray of the whole hysteria around the Y2K (it was filmed in 1999). The rather obsessive references to the corruption phenomenon in Spain and Europe are exaggerated but they reflect on different levels the way Spain found itself after all the corruption scandals of the last years of Felipe González as Prime Minister (Presidente de Gobierno). Yes, the jokes, the punch lines are all there. Some of them are rather offensive or plainly unbelievable, like the scene where the rebel nun fight s to "consecrate" a giant Paella, as if Catholics ever consecrate food (we can bless it, but we will hardly ever think about consecrating it, much less about "consecrating" it with holy water), but it depicts nicely the unfair position of nuns within the Church when compared to priests. The movie is fun and it provides a good insight on the many paradoxes of contemporary Spain and, for that purpose, of any contemporary society.
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