1.7/10
241
5 user 9 critic

Mean Mother (1974)

R | | Action, Drama | August 1974 (USA)
Two Vietnam deserters go their separate ways, become criminals and are eventually reunited.

Directors:

(as Albert Victor),

Writers:

, (as Charles Johnson)
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Cast

Cast overview:
...
Beauregard Jones (as Clifton Brown)
Dennis Safren ...
Joe
...
Therese
...
Dan
Marilyn Joi ...
Joy (as Tracy King)
Bedy Moratti
Albert Cole ...
Mack
Al Richardson ...
Big Rex
Elizabeth Guadalupe Chauvet ...
Maria
Dick Poston ...
Slasher
Irv Saunders ...
Carver
Erik Cord ...
Brute (as Eric Cord)
...
Stud (as Greg White)
...
Blonde In Bikini
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Storyline

Two Vietnam deserters go their separate ways, become criminals and are eventually reunited.

Plot Summary | Add Synopsis

Taglines:

Super Cool & Wild! Smashing the Man and the Mob for his Women!

Genres:

Action | Drama

Certificate:

R
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Details

Country:

| |

Language:

Release Date:

August 1974 (USA)  »

Also Known As:

Soul Brother  »

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Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was originally a Spanish film called El hombre que vino del odio (1971). Producer Samuel M. Sherman of Independent-International Pictures bought it for US distribution, but eventually decided that American audiences wouldn't come to see it. He re-edited it, added some new footage with black actors and turned it into a "blaxploitation" actioner, re-naming it "Mean Mother". See more »

Connections

Referenced in Blazing Stewardesses: Interview with Marilyn Joi (2006) See more »

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User Reviews

Adamson, Enough Said
8 February 2013 | by (Louisville, KY) – See all my reviews

Mean Mother (1974)

* (out of 4)

Another patch job from director Al Adamson and producer Sam Sherman. This here was originally a Spanish movie directed by León Klimovsky but Sherman bought the U.S. rights but when he realized it wouldn't sell, he hired Adamson to shoot new footage and turn it into a Blaxploitation film. The story centers on two Vietnam men, one white and one black (Clifton Brown), who go AWOL and get into a life of crime, which adds up to nothing. Whenever you take one film, edit it down and then try to add new scenes around it, more often than not you're going to be left with some incomprehensible mess, which MEAN MOTHER certainly is. With that said, I've actually seen worst from Adamson who was used to mixing and matching movies since it was something he'd do throughout his career. I think what keeps this film slightly entertaining is the fact that both films are just so different yet seeing them together just as a unique and weird feel to it. I will also admit that I thought Adamson did a decent job at mixing the two together and especially when you consider how this type of thing should never be done and especially with these two stories. Still, the film is a complete mess with the typical low-budget bad acting, bad direction and bad cinematography. This is to be expected whenever the director's main job is to get a film in the can for cheap and not to be trying to make some sort of masterpiece. As awful as the film is there's still something that unique to the work of Adamson and it rings true here. I don't think anyone would consider him a good filmmaker but you've got to at least give him credit for trying anything to try and bring a film together.


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