IMDb > Humanité (1999)
L'humanité
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Humanité (1999) More at IMDbPro »L'humanité (original title)

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Overview

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Down 28% in popularity this week. See why on IMDbPro.
Director:
Writer:
Bruno Dumont (writer)
Contact:
View company contact information for Humanité on IMDbPro.
Release Date:
10 September 1999 (Norway) See more »
Genre:
Plot:
When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers. Full summary » | Add synopsis »
Awards:
3 wins & 2 nominations See more »
User Reviews:
Filling in the void See more (61 total) »

Cast

  (in credits order)
Emmanuel Schotté ... Pharaon De Winter
Séverine Caneele ... Domino
Philippe Tullier ... Joseph
Ghislain Ghesquère ... Police Chief
Ginette Allegre ... Eliane
Darius ... Nurse (as Daniel Leroux)
Arnaud Brejon de la Lavergnee ... Conservationist
Daniel Petillon ... Jean, the cop
Robert Bunzi ... English cop
Dominique Pruvost ... Angry worker
Jean-Luc Dumont ... CRS
Diane Gray ... British traveller
Paul Gray ... British traveller
Sophie Vercamer ... Worker
Murielle Houche ... Worker
Pascaline Guyot ... Worker
Liliane Facq ... Worker
Myriam Dehaine ... Worker
Jean Beuique ... The guide
Bernard Catrycke ... Nadege's father
Marthe Vandenberg ... Grandmother
Amanda Goemaere ... Child
Honorine Douche ... Child
Marie-Thérèse Cadet ... Parent
Denis Claerebout ... Parent
Suzanne Berteloot ... Nurse
Sylvie Perel ... Domino's friend
Malik Haquem ... The dealer
Alain Beaufrome ... Pharaon's colleague
Pierre-Olivier Thery ... Pharaon's colleague
Frédéric Engelaere ... Young worker
Françoise Blavoet ... Visitor to fort
Chantal Desmettre ... Visitor to fort
Noella Froigne ... Visitor to fort
Jocelyne Vasseur ... Visitor to fort
Annie Hennon ... Visitor to fort
Pierre Raes ... Visitor to fort
Pierre Harrisson ... Man in pyjamas
Mathieu Daussy ... Student at Brasserie
Gaelle Coppin ... Student at Brasserie
Marion Robyn ... Student at Brasserie
Laurent Pecqueur ... Student at Brasserie
Sebastion Zanetti ... Student at Brasserie
Cédric Delplace ... Student at Brasserie
Julie Legras ... Student at Brasserie
Gregory Duboz ... Student at Brasserie
Cedric Camberlyn ... Student at Brasserie
Sylvain Backerlandt ... Student at Brasserie
Marie-Hélène Aernout ... Aline
Lucien Hallynck ... Man wearing beret
Andre Geloen ... Gardner
Jean-Francois Carpenter ... Fisherman
Theophile Boldin ... Bather
Jerome Polet ... Bather
Sebastion Muselet ... Bather
Gery Laforce ... Bus driver
Franck Lesagne ... Neighbour
Micheline Cerouter ... Neighbour
Jacky Hourdouille ... Neighbour
Marie-Thérèse François ... Neighbour
Leslie Benault ... Neighbour
Edwige Benault ... Neighbour
Heidelore Kramer ... Passer-by
Nicole Willier ... Passer-by

Sylvie Verheyde ... Passer-by
Pierre Verheyde ... Passer-by
Famille Janssens ... Passer-by
Regis Mallard ... Passer-by
Monique Laurent ... Passer-by
Philippe Millet ... Passer-by
Patrice Souchet ... Passer-by
Florent Souchet ... Passer-by
Gregory Ryckewaert ... Museum technician
Hamid Bouderja ... Museum technician
Daniel Braems ... Worker
Eric Bailleul ... Worker
Guy Valpoet ... Worker
Bernard Vanhaecke ... Worker
Joel Boulinguez ... Worker
J.J. Leurette ... Worker
Michel Vanmeenen ... Worker
Regis Larridon ... Worker
Dominique Deroo ... Worker
Stephanie Wyts ... Barmaid
Philippe Durlez ... Customer
Ivanne Durlez ... Customer
Alexis Durlez ... Customer
Noel Debaene ... Police
Jean Rene Delaval ... Police
Christophe Muys ... Police
Ludovic Cousin ... Police
Jacques Gillot ... Police
Bernard Marescan ... Police
Sylvain Boulanger ... Police
Jean Pierre Doise ... Police
Gilles Lelievre ... Police

Directed by
Bruno Dumont 
 
Writing credits
(in alphabetical order)
Bruno Dumont  writer

Produced by
Rachid Bouchareb .... producer
Jean Bréhat .... producer
 
Original Music by
Richard Cuvillier 
 
Cinematography by
Yves Cape 
 
Film Editing by
Guy Lecorne 
 
Casting by
Claude Debonnet 
Bruno Dumont 
 
Production Design by
Marc-Philippe Guerig 
 
Art Direction by
Marc-Philippe Guerig 
 
Costume Design by
Nathalie Raoul 
 
Makeup Department
Jacques-Olivier Molon .... special makeup effects artist (dummy supply)
Ferouz Zaafour .... key makeup artist
 
Production Management
Muriel Merlin .... unit manager
Nicolas Picard .... unit production manager
 
Second Unit Director or Assistant Director
Xavier Christiaens .... assistant director
Claude Debonnet .... assistant director
Rima Samman .... trainee assistant director
Yann Olivier Wicht .... assistant director
 
Art Department
Serge Berkenbaum .... property master
 
Sound Department
Pascal Jasmes .... boom operator
Jean-Pierre Laforce .... sound
Pierre Mertens .... sound
Mathilde Muyard .... sound editor
Philippe Penot .... foley artist
 
Visual Effects by
Ronan Broudin .... digital compositor
 
Stunts
Thierry Saelens .... stunts
Daniel Vérité .... stunts
 
Camera and Electrical Department
Roger Arpajou .... still photographer
Vincent Blasco .... key grip
Thierry Debove .... gaffer
Pascal Doyen .... electrician
Elin Kirschfink .... second assistant camera (as Ellin Kirschfink)
Jacques Monge .... Steadicam operator
François Perrault-Alix .... grip
Etienne Saldés .... key grip
Marie Sorribas .... first assistant camera
 
Costume and Wardrobe Department
Isabelle Sanchez .... costumer
 
Editorial Department
Anja Lüdcke .... assistant editor
 
Music Department
William Christie .... musician: clavecin for Royer's "Pièce de Clavecin"
 
Other crew
Virginie Barbay .... script supervisor
Caroline Dieusaert .... production secretary
Delphine Merabet .... production assistant
Vanessa Réveillon .... production secretary
 

Production CompaniesDistributorsSpecial Effects

Additional Details

Also Known As:
"L'humanité" - France (original title)
"Humanity" - Europe (English title)
See more »
Runtime:
148 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
This marks as Emmanuel Schotté's only film performance.See more »
Movie Connections:

FAQ

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11 out of 16 people found the following review useful.
Filling in the void, 12 February 2001
Author: iaido

On the surface, L'Humanite is about a detective, Pharaon, dealing with his hyper sensitive nature to a rape/murder of a young girl he is investigating, but especially for his unrequited love to his neighbor, Domino. Pharoan is like a wounded, or fearful child, dumpy, perpetually slumped over, soft spoken, watery eyed, whereas Domino is considerably working class, modern, damaged, but not nearly as fearful, at least, not as openly sensitive; unlike Pharaon, she doesn't wear her fear like bad suit. But, that is just the surface of the characters and story, the actual definition of these key elements is left up to the viewer. The plot and the characters are fragments. Instead of miring itself in details, long monologues, heavy dialogue in general, or normal cinematic conventions, the film is purposefully left incomplete in many areas. Thus, the viewer is left to speculate how these gaps should be filled, left to ponder the scraps given to them.

For example, we are told Pharaon's girlfriend and child left him, but not why. Is Pharaon's sensitivity a product of his being abandoned by this woman, or was his sensitivity the cause of her leaving? Domino is clearly upset when Pharaon mentions the case of the rape/murder of the young girl, but is her reaction just empathy, or something deeper? For every detail we are given, there are often unresolved questions that are never conveniently answered.

It somewhat reminds me of a Shohei Imamrua film, like Vengeance is Mine or The Eel, in that the story unfolds through rather mundane scenes, but these scenes end up speaking volumes over the course of the film. You could also say it is a bit like Antonioni as well, as the ordinary, often bright, landscape often contributes just as much emotion as the characters. Basically, Brumo Dumont, like Imamura or Antonioni, eschews normal narrative conventions to tell a story. He lets the viewer fill in the gaps, and much of the film will always remain an engaging mystery.

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