When an 11-year-old girl is brutally raped and murdered in a quiet French village, a police detective who has forgotten how to feel emotions--because of the death of his own family in some kind of accident--investigates the crime, which turns out to ask more questions than it answers.
A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »
Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
In a town near Lille, melancholy police superintendent Pharaon De Winter lives with his mother. An 11-year-old girl has been raped and murdered. Over the next week, De Winter investigates and grieves, his face nearly expressionless. He bikes, he gardens. He accompanies his neighbors, Joseph and Domino, to dinner and to the seaside; he even observes them in vigorous if not rough coitus. For Domino, sex seems her way of connecting. Does she fancy Pharaon? A plowed field, the sea, Pharaon's flowers, the pudenda of Domino and of the ravaged girl - this mix of images of beauty, evil, and possibility assaults Pharaon as he tries to do his job and hold on to his humanity. Written by
Melancholy and strangely beautiful view of reality...
In this case, largely one man's reality, although several others are involved. I hesitate to make literary comparisons, because film is a visual medium with its own immediacy, but the central characters of the novels by Emmanuel Bove and Patrick Susskind ("The Pigeon" in particular) put me very much in mind of Pharaon de Winter, the "hero" of this film and is one reason I love it. The inwardness,the soulful need that is barely understood by the man himself, the sometimes interminably slow pace bring a profound melancholic tone that I have rarely experienced on the screen.
I agree with others who've posted here, this isn't a film for everyone. But if you are moved by the deep existential reflection and quiet, sensitive behavior of a person who can empathize out of his/her own pain, I would recommend this movie.
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