When American reporter Steve Martin investigates a series of mysterious disasters off the coast of Japan, he comes face to face with an ancient creature so powerful and so terrifying, it can reduce Tokyo to a smoldering graveyard. Nuclear weapon testing resurrected this relic from the Jurassic age, and now it's rampaging across Japan. At night, Godzilla wades through Tokyo leaving death and destruction in his wake, disappearing into Tokyo Bay when his rage subsides. Coventional weapons are useless against him; but renowned scientist Dr. Serizawa has discovered a weapon that could destroy all life in the bay -- including Godzilla. But which disaster is worse, Godzilla's fury, or the death of Tokyo Bay? Written by
Robert Lynch <firstname.lastname@example.org>
SEE! A monstrous sea-beast...surging up from the ocean! ..... a city of six-million wiped out by its death ray blast ! ... Giant ships swamped! Jet planes swept from the skies ! Trains ripped from the rails ! MORE ! MORE ! MORE ! SEE EVERY SCREEN-SHATTERING THRILL! See more »
Prior to the film's release, it was hyped that Raymond Burr spent two months in Japan working on his scenes. In actuality, his scenes were filmed at a studio in Hollywood in six days. See more »
After Godzilla drops the building on Steve Martin's head, the tail can be seen through the hole in the wall with its puppet strings clearly visible. See more »
[Opening voice over]
This is Tokyo. Once a city of six million people. What has happened here was caused by a force which up until a few days ago was entirely beyond the scope of Man's imagination. Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world. There were once many people here who could've told of what they saw... now there are only a few. My name is Steve ...
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Many prints and videos have absolutely no credits, beyond the title at the start(with a clearly video-generated copyright notice below it) and a "The End" graphic at the close. As of 2006, Classic Media's release of the film in the Gojira/Godzilla: King of the Monsters on DVD has the restored English credits. See more »
The greatest and most realistic of the 50s creature features.
Godzilla is truly a legendary icon who has really stood the test of time for more than fifty years. His first film back in 1954 was very serious compared to most monster movies at the time. Most agree that it's a typical story of a prehistoric creature mutated by radiation rising up to challenge the world with his newfound power, but it's a little more than that. How so? Everything seems to be taken seriously by both filmmakers and the characters in the story. In this U.S. version, dubbing is kept to a very minimum by the lead characters while everyone else is speaking Japanese, which brings a small sense of realism. Godzilla himself is taken seriously by the filmmakers because while the primitive effects are obvious, his actions are like how a real animal reacts to a certain situation like when he approaches the electrical barrier and pauses to look at it curiously or when he snarls at a ringing clock tower because he thinks it might be another animal. He doesn't "attack" Tokyo just for the hell of it, he's just lashing out at whatever attacked him. After Tokyo is destroyed, the scene where the people mourn for the dead and dying truly moved me because the "attack" was treated like an actual disaster. I truly respect that.
Tomoyuki Tanaka really knew how to tell a war related story (war films in Japan were illegal at the time) and make his dinosaur the biggest star (literally) in the world. Steve Martin(Raymond Burr) and Dr. Serizawa are among the best known human characters in the entire series. I give this movie little more credit than before because of how it was made and the angle it was going for. Long live the King!
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