When American reporter Steve Martin investigates a series of mysterious disasters off the coast of Japan, he comes face to face with an ancient creature so powerful and so terrifying, it can reduce Tokyo to a smoldering graveyard. Nuclear weapon testing resurrected this relic from the Jurassic age, and now it's rampaging across Japan. At night, Godzilla wades through Tokyo leaving death and destruction in his wake, disappearing into Tokyo Bay when his rage subsides. Coventional weapons are useless against him; but renowned scientist Dr. Serizawa has discovered a weapon that could destroy all life in the bay -- including Godzilla. But which disaster is worse, Godzilla's fury, or the death of Tokyo Bay? Written by
Robert Lynch <firstname.lastname@example.org>
The Pan Am airliner at the beginning of the movie is a Boeing Stratocruiser, produced shortly after World War 2. It was based on the airframe of the B-29 Stratofortress bomber, the plane used to drop the atomic bombs on Hiroshima and Nagasaki. See more »
After Godzilla drops the building on Steve Martin's head, the tail can be seen through the hole in the wall with its puppet strings clearly visible. See more »
Many prints and videos have absolutely no credits, beyond the title at the start(with a clearly video-generated copyright notice below it) and a "The End" graphic at the close. As of 2006, Classic Media's release of the film in the Gojira/Godzilla: King of the Monsters on DVD has the restored English credits. See more »
An Enraged Monster Wipes Out An Entire City! (While Perry Mason watches on for America).
Well it literally is a different animal from Ishirō Honda's seminal 1954 movie about the giant atomic lizard who wakes up in a bad mood. Here the American version clips the atmosphere considerably (and the running time), craftily edits Raymond Burr into Honda's movie and of course removes the anti-American sentiment that once existed. Yet the film did prove to be very popular with English speaking film fans and further enhanced the growing appeal of all things Godzilla like.
As it is it's a decent enough film, especially if you have never seen Honda's original. For sure it's still creaky in that "man in rubber suit" way, but the iconic creature is still thrilling as it goes about its merry way destroying some carefully constructed model workings. The nuclear war heedings are still there and there's much fun to be had, intentional or otherwise. Its pale in comparison to the original, but it's not a stinker either. 6/10
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