When American reporter Steve Martin investigates a series of mysterious disasters off the coast of Japan, he comes face to face with an ancient creature so powerful and so terrifying, it can reduce Tokyo to a smoldering graveyard. Nuclear weapon testing resurrected this relic from the Jurassic age, and now it's rampaging across Japan. At night, Godzilla wades through Tokyo leaving death and destruction in his wake, disappearing into Tokyo Bay when his rage subsides. Coventional weapons are useless against him; but renowned scientist Dr. Serizawa has discovered a weapon that could destroy all life in the bay -- including Godzilla. But which disaster is worse, Godzilla's fury, or the death of Tokyo Bay? Written by
Robert Lynch <email@example.com>
Raymond Burr said that, contrary to popular belief, all his scenes were not done in one day, but over the course of six days. It was simply impossible to create all the sets in one day, especially the daylight scene filling in for Odo Island and the night scene on the hilltop during Godzilla's first rampage. See more »
After Godzilla drops the building on Steve Martin's head, the tail can be seen through the hole in the wall with its puppet strings clearly visible. See more »
Many prints and videos have absolutely no credits, beyond the title at the start(with a clearly video-generated copyright notice below it) and a "The End" graphic at the close. As of 2006, Classic Media's release of the film in the Gojira/Godzilla: King of the Monsters on DVD has the restored English credits. See more »
This is the American re-edit of director Ishiro Honda's groundbreaking original, that now stars Raymond Burr as American reporter Steve Martin, who is visiting Japan, and gets caught up in the biggest story of his life. Steve just so happens to know Dr. Serizawa, whose recent experiments have created the very weapon that can destroy Godzilla, if he can bring himself to do so... Reasonably good film does a fairly clever job of integrating Burr into the original, as if he had been there all along, but just off screen! Ragged around the edges to be sure, but an otherwise inspired way of making it accessible to English-speaking audiences. Raymond Burr would reprise this role thirty years later in separate sequel to a new series("Godzilla 1985", based off of "The Return Of Godzilla")
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