America at the Movies (1976)

PG  |   |  Documentary  |  12 October 1977 (France)
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A compilation of scenes from 83 films, divided into 5 segments: The Land, The Cities, The Families, The Wars, The Spirit.




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The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.

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Cast overview, first billed only:
Virgil Starkwell (archive footage)
Capt. John Yossarian (archive footage)
Col. Cathcart (archive footage)
Annie Sullivan / Mrs. Robinson (archive footage)
Dan Packard (archive footage)
Maj. Danby (archive footage)
Ellie Banks (archive footage)
Susan (archive footage)
Sam Spade / Fred C. Dobbs (archive footage)
Terry Malloy / Stanley Kowalski (archive footage)
'Groot' Nadine (archive footage)
George (archive footage)
George M. Cohan (archive footage)
Claudine (archive footage)
Bernardo (archive footage)


A compilation of scenes from 83 films, divided into 5 segments: The Land, The Cities, The Families, The Wars, The Spirit.

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PG | See all certifications »




Release Date:

12 October 1977 (France)  »

Also Known As:

Il était une fois l'Amérique  »

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Features The Pharmacist (1933) See more »


Music by Leonard Bernstein
Lyrics by Stephen Sondheim
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All That Such A Documentary Should Be.
20 February 2005 | by (Mountain Mesa, California) – See all my reviews

As a contribution to the United States commemoration of its bicentennial, the American Film Institute (AFI) releases this splendid compilation of scenes from over 80 renowned films, none of which lacks interest to cinephiles, since AFI accesses works from all studios, whereas most cinematic anthologies are limited to but one, and this standing advantage, heightened through superior production values, results in a nigh two hour feature of notable variety. Charlton Heston reads the excellent text penned by Theodore Strauss for a film that is divided into five segments - The Land: (essentially the West), concerning which, as Heston relates, "Hollywood didn't always get history right, but told the dream"; The Cities: (mainly New York); The Families; The Wars; and the best section, The Spirit, during which, as Heston affirms, "America was not just a destination, but a journey into the possible", and also "There is more truth in the dream than in the facts," Most of the clips are long enough to generate an emotional response in a viewer and the entire production is adroitly edited, giving one an overall perception of distinction surrounding the selections, intensified by the clarity and succinctness of Heston's narration. In this instance, documentary makers have it right, proving that cinema, as with the United States, "...began in the imagination".

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