The spoiled rotten and utterly unlikable rich kid George Amberson becomes horrified when his recently widowed mother rekindles her relationship with the wealthy Eugene Morgan, who she left ... See full summary »
Jonathan Rhys Meyers
When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family ... See full summary »
A young man is found bruised, beaten and stumbling down a secluded road. As the police try to piece together what happened, the convoluted relationship between a young woman and her two ... See full summary »
Rachael Leigh Cook,
Jonathan Rhys Meyers
Finbar and Danny are close childhood friends who live in a depressing neighbourhood in an Irish town. Finbar gets the chance to play soccer in an international soccer team abroad but can't ... See full summary »
Jonathan Rhys Meyers,
Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »
Josh is a high school guy who lives with adoptive parents and is involved in little crimes with his friends (including young lesbian Bella). Suddenly his elder brother Walter comes out of ... See full summary »
Jonathan Rhys Meyers
This film is an adaptation of the Shakespeare play "Titus Andronicus." Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family. Who says revenge is sweet?
Gormenghast is an ancient city-state which primarily consists of a rambling and crumbling castle. The narrative, based on the first two of the three Gormenghast novels by Mervyn Peake, begins with the birth of a son, Titus, to the 76th Earl, Sepulchrave Groan, and Countess Gertrude. This mismatched pair (he'd prefer the melancholy privacy of his library; she'd prefer the company of her menagerie of cats and birds) also have a teenaged daughter, Fuchsia, who resents her new brother but comes to love him dearly. Simultaneously, a young kitchen apprentice, Steerpike, takes advantage of an altercation between head cook Swelter and the Earl's manservant, Mr. Flay, and escapes from the kitchens. Gormenghast is rigidly feudal in structure, but Steerpike has ambitions. He befriends the imaginative, yearning Fuchsia, and through her becomes apprenticed to the castle physician, Dr. Prunesquallor, who lives with his man-hunting sister Irma. This position allows Steerpike to work his way into the... Written by
No, you don't!
If I understand anything, I understand anger. And that's because I understand what it feels like to be rejected. And don't think I don't understand loneliness too.
[throws herself in his arms before soon after jerking away from him again]
No! No, this is horrible! YOU'RE horrible! You leave me alone! Never come near me!
I can wait...
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I first read the Gormenghast trilogy three years ago. Like most people who have read the books, I enjoyed them immensely. When I heard that the BBC had made a series, I was over the moon and re-read the books.
The cast were superb, especially Jonathan Rhys Meyers and Cecilia Imrie. I also enjoyed the sets and scenery, and the program makers should be congratulated for not giving us a dark, dank gothic pile.
It all looked very promising - yet somehow it fell flat. I think the main reason is that, compared to the books, there is far less subtlety in the characters. The character Steerpike is a victim of this. Instead of being a person who is highly intelligent, he occasionally seems rather foolish in his actions.
The plot has also been modified, and barely a single line from the book remains intact. Several events have been inserted (and several key ones removed!).
The main problem is that the books have a strange and surreal quality to them that it is hard to transfer to the screen. The same problem occurs with Wuthering Heights, and therefore most adaptations can never capture the spirit of the original book.
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