Around the turn of the century, in England, alcoholic Uncle Willie is the bane of his family, of which his brother-in-law (Cecil Parker) is the family spokesman. It is decided to let Uncle ...
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Around the turn of the century, in England, alcoholic Uncle Willie is the bane of his family, of which his brother-in-law (Cecil Parker) is the family spokesman. It is decided to let Uncle Willie buy a bicycle shop in order to impress Virginia van Stuyden, an American heiress in love with Frank. This pleases Uncle Willie's young nephew, Charles, (who also serves as a commentator throughout the film.) Complications arise when stuffy lord, Sir George Probus, at whose home Virginia is staying, becomes stuffy-Brit shocked when she attends a carnival. Virginia is also irked because Frank isn't more manly. They nearly all turn up at a convalescent home, where Uncle Willie brings the young lovers together, and announces that milk will be his only beverage-of-choice in the future. Written by
Les Adams <firstname.lastname@example.org>
Very well produced with nice three strip Technicolor scenes. Edwardian costumes and settings contribute to overall period look and feel of film. This was also a film which was a springboard for the neglected Dianne Foster who came to America under contract to Columbia soon after completing this film
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