Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Dishwasher and small-fry criminal Ray hits on a plan with his partners in crime to re-open a local pizza place and dig through to the bank down the street. As his wife can't cook pizza but does great cookies, that's what they sell. While the no-hope tunnellers get lost underground, the cookie operation really takes off and the team find themselves rich business people. But the other local money isn't quite ready to accept them. Written by
Jeremy Perkins <firstname.lastname@example.org>
Shown the house where writer Henry James(whom her husband confuses with band leader Harry James) once lived, the culturally challenged Frenchy announces that James was author of "The Heiress" (which she mispronounces as "hair-ess"). In reality, "The Heiress" was the title shared by a movie and a stage play, each inspired by James's novel "Washington Square"; James never wrote anything called "The Heiress". See more »
Well, I wanna be the real thing! And you better wise up, 'cause if I grow and you stay as stupid as you are, we're gonna have big problems, Ray!
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I doubt if many people share this sentiment, but this is my favorite Woody Allen movie simply because it does what Allen usually sets out to do: makes me laugh. I'm not a big fan of Allen's films but he and Tracey Ullman make a great pair in this 95-minute farce. Ullman has to be one of the most talented ladies to never achieve real movie stardom. She matches Allen laugh-for-laugh in here and, in some respects, even steals the show.
Other than Allen's penchant for using the Lord's name in vain, this has a real classic-film feel to it, one of those old bickering spouse films but with more modern-day humor. Allen and Ullman trade some very funny insults, and there are many of these quality gags. Ullman is just plain hilarious as the bimbo-like "Frenchy."
Add a gigolo (Hugh Grant), a couple of inept crooks, a couple of old-time Elaine favorites, Strich and May, and a pretty funny premise and you have some good entertainment and an underrated Allen film.
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